At a summons to his shop one day, Mr. Snagsby, the law-stationer (in whose employ the dead man was, and who has always been kind to Jo when chance has thrown him in his way), descends to find a police constable holding a ragged boy by the arm. "Why, bless my heart," says Mr. Snagsby, "what's the matter?"
"This boy," says the constable, calmly, "although he's repeatedly told to, won't move on."
"I'm always a-moving on, sir," cries the boy, wiping away his grimy tears with his arm. "Where can I possibly move to more nor I do?"
"Don't you come none of that, or I shall make blessed short work of you," says the constable, giving him a passionless shake. "My instructions are that you are to move on."
"But where?" cries the boy.
"Well, really, constable, you know," says Mr. Snagsby, "really that does seem a question. Where, you know?"
"My instructions don't go to that," replies the constable. "My instructions are that this boy is to move on, and the sooner you're five miles away the better for all parties."
Jo shuffles away from the spot where he has been standing, picking bits of fur from his cap and putting them in his mouth; but before he goes Mr. Snagsby loads him with some broken meats from the table, which he carries away hugging in his arms.
Jo goes on, down to Blackfriars Bridge, where he finds a baking stony corner wherein to settle his repast. There he sits munching and gnawing—the sun going down, the river running fast, the crowd flowing by him in two streams—everything passing on to some purpose, and to one end, until he is stirred up, and told to move on again.
Desperate with being moved on so many times, Jo tramps out of London down to St. Albans, where, exhausted from hunger and from exposure to extreme cold, he takes refuge in the cottage of a bricklayer's wife. A young lady who happens to be making a charity call on the woman in the cottage—sees his feverish, excited condition, and questions him.