Miss Palett demurred at the subject-matter of some of these remarks, and affirmed that she could not translate others into proper Italian. She therefore proposed that Salemina should write a few dignified protests on her visiting-card, and her own part would be to instruct the man in the flat-boat to deliver it at once to his superior officer. The comandante spoke no English,—of that fact the sailorman in the flat-boat was certain,—but as the gondola moved away, the ladies could see the great man pondering over the little piece of pasteboard, and it was plain that he was impressed. Herein lies perhaps a seed of truth. The really great thing triumphs over all obstacles, and reaches the common mind and heart in some way, delivering its message we know not how.

Salemina’s card teemed with interesting information, at least to the initiated. Her surname was in itself a passport into the best society. To be an X— was enough of itself, but her Christian name was one peculiar to the most aristocratic and influential branch of the X—s. Her mother’s maiden name, engraved at full length in the middle, established the fact that Mr. X— had not married beneath him, but that she was the child of unblemished lineage on both sides. Her place of residence was the only one possible to the possessor of three such names, and as if these advantages were not enough, the street and number proved that Salemina’s family undoubtedly possessed wealth; for the small numbers, and especially the odd numbers, on that particular street, could be flaunted only by people of fortune.

You have now all the facts in your possession, and I can only add that the ship weighed anchor at twilight, so Salemina again gazed upon the Doge’s Palace and slept tranquilly.

V

Casa Rosa, May 22

I am like the schoolgirl who wrote home from Venice: “I am sitting on the edge of the Grand Canal drinking it all in, and life never seemed half so full before.” Was ever the city so beautiful as last night on the arrival of foreign royalty? It was a memorable display and unique in its peculiar beauty. The palaces that line the canal were bright with flags; windows and water-steps were thronged, the broad centre of the stream was left empty. Presently, round the bend below the Rialto, swept into view a double line of gondolas—long, low, gleaming with every hue of brilliant colour, most of them with ten, some with twelve, gondoliers in resplendent liveries, red, blue, green, white, orange, all bending over their oars with the precision of machinery and the grace of absolute mastery of their craft. In the middle, between two lines, came one small and beautifully modelled gondola, rowed by four men in red and black, while on the white silk cushions in the stern sat the Prince and Princess. There was no splash of oar or rattle of rowlock; swiftly, silently, with an air of stately power and pride, the lovely pageant came, passed, and disappeared under the shining evening sky and the gathering shadows of “the dim, rich city.” I never saw, or expect to see, anything of its kind so beautiful.

I stay for hours in the gondola, writing my letters or watching the thousand and one sights of the streets, for I often allow Salemina and the Little Genius to tread their way through the highways and byways of Venice while I stay behind and observe life from beneath the grateful shade of the black felze.

The women crossing the many little bridges look like the characters in light opera; the young girls, with their hair bobbed in a round coil, are sometimes bareheaded and sometimes have a lace scarf over their dark, curly locks. A little fan is often in their hands, and one remarks the graceful way in which the crepe shawl rests upon the women’s shoulders, remembering that it is supposed to take generations to learn to wear a shawl or wield a fan.

My favourite waiting-place is near the Via del Paradiso, just where some scarlet pomegranate blossoms hang out over the old brick walls by the canal-side, and where one splendid acanthus reminds me that its leaves inspired some of the most beautiful architecture in the world; where, too, the ceaseless chatter of the small boys cleaning crabs with scrubbing-brushes gives my ear a much-needed familiarity with the language.

Now a girl with a red parasol crosses the Ponte del Paradiso, making a brilliant silhouette against the blue sky. She stops to prattle with the man at the bell-shop just at the corner of the little calle. There are beautiful bells standing in rows in the window, one having a border of finely traced crabs and sea-horses at the base; another has a top like a Doge’s cap, while the body of another has a delicately wrought tracery, as if a fish-net had been thrown over it.