Atlas: “Is there so much to tell?”

Tommy: “Rather. Begin with her hair, Penelope.”

Mrs. Jack: “No; I’ll do that! Don’t rattle your knives and forks, shut up your Baedeker, Jackie, and listen while I quote what a certain poet wrote of Egeria when she last visited us:—

“‘She has a knot of russet hair:
It seems a simple thing to wear
Through years, despite of fashion’s check,
The same deep coil about the neck,
But there it twined
When first I knew her,
And learned with passion to pursue her,
And if she changed it, to my mind
She were a creature of new kind.

“‘O first of women who has laid
Magnetic glory on a braid!
In others’ tresses we may mark
If they be silken, blonde, or dark,
But thine we praise and dare not feel them,
Not Hermes, god of theft, dare steal them;
It is enough for eye to gaze
Upon their vivifying maze.’”

Jack: “She has beautiful hair, but as an architect I shouldn’t think of mentioning it first. Details should follow, not precede, general characteristics. Her hair is an exquisite detail; so, you might say, is her nose, her foot, her voice; but viewed as a captivating whole, Egeria might be described epigrammatically as an animated lodestone. When a man approaches her he feels his iron-work gently and gradually drawn out of him.”

Atlas looked distinctly incredulous at this statement, which was reinforced by the affirmative nods of the whole party.

Penelope: “A man cannot talk to Egeria an hour without wishing the assistance of the Society for First Aid to the Injured. She is a kind of feminine fly-paper; the men are attracted by the sweetness, and in trying to absorb a little of it, they stick fast.”

Tommy: “Egeria is worth from two to two and a half times more than any girl alive; I would as lief talk to her as listen to myself.”

Atlas: “Great Jove, what a concession! I wish I could find a woman—an unmarried woman (with a low bow to Mrs. Jack)—that would produce that effect upon me. So you all like her?”

Aunt Celia: “She is not what I consider a well-informed girl.”