Polly walked slowly round the room, studying the illuminated letters: "And they laid the Pilgrim in an upper chamber, and the name of the chamber was Peace."
This brought the ready tears to Polly's eyes. "God seems to give me everything but what I want most," she thought; "but since He gives me so much, I must not question any more: I must not choose; I must believe that He wants me to be happy, after all, and I must begin and try to be good again."
She did try to be good. She came down to breakfast the next morning, announcing to Mrs. Bird, with her grateful morning kiss, that she meant to "live up to" her room. "But it's going to be difficult," she confessed. "I shall not dare to have a naughty thought in it; it seems as if it would be written somewhere on the whiteness!"
"You can come and be naughty in my bachelor den, Polly," said Mr. Bird, smiling. "Mrs. Bird does n't waste any girlish frills and poetic decorations and mystical friezes on her poor brother-in-law! He is done up in muddy browns, as befits his age and sex."
Polly insisted on beginning her work the very next afternoon; but she had strength only for three appointments a week, and Mrs. Bird looked doubtfully after her as she walked away from the house with a languid gait utterly unlike her old buoyant step.
Edgar often came in the evenings, as did Tom and Blanche Mills, and Milly Foster; but though Polly was cheerful and composed, she seldom broke into her old flights of nonsense.
On other nights, when they were alone, she prepared for her hours of story-telling, and in this she was wonderfully helped by Mr. Bird's suggestions and advice; for he was a student of literature in many languages, and delighted in bringing his treasures before so teachable a pupil.
"She has a sort of genius that astonishes me," said he one morning, as he chatted with Mrs. Bird over the breakfast-table.
Polly had excused herself, and stood at the farther library window, gazing up the street vaguely and absently, as if she saw something beyond the hills and the bay. Mrs. Bird's heart sank a little as she looked at the slender figure in the black dress. There were no dimples about the sad mouth, and was it the dress, or was she not very white these latter days?--so white that her hair encircled her face with absolute glory, and startled one with its color.
"It is a curious kind of gift," continued Mr. Bird, glancing at his morning' papers. "She takes a long tale of Hans Andersen's, for instance, and after an hour or two, when she has his idea fully in mind, she shows me how she proposes to tell it to the younger children at the Orphan Asylum. She clasps her hands over her knees, bends forward toward the firelight, and tells the story with such simplicity and earnestness that I am always glad she is looking the other way and cannot see the tears in my eyes. I cried like a school-girl last night over 'The Ugly Duckling.' She has natural dramatic instinct, a great deal of facial expression, power of imitation, and an almost unerring taste in the choice of words, which is unusual in a girl so young and one who has been so imperfectly trained. I give her an old legend or some fragment of folk-lore, and straight-way she dishes it up for me as if it had been bone of her bone and marrow of her marrow; she knows just what to leave out and what to put in, somehow. You had one of your happy inspirations about that girl, Margaret,--she is a born story-teller. She ought to wander about the country with a lute under her arm. Is the Olivers' house insured?"