Davy was stricken at first with silent embarrassment. He was a truthful child, but in this he could no more have told the whole truth than he could have cut off his hand. He was knit to Lyddy by every tie of gratitude and affection. He would sit for hours with his expectant face pressed against the window-pane, and when he saw her coming down the shady road he was filled with a sense of impending comfort and joy.
“NO,” he said hesitatingly, “she isn't pretty, nunky, but she's sweet and nice and dear, Everything on her shines, it's so clean; and when she comes through the trees, with her white apron and her purple calico dress, your heart jumps, because you know she's going to make everything pleasant. Her hair has a pretty wave in it, and her hand is soft on your forehead; and it's most worth while being sick just to have her in the house.”
Meanwhile, so truly is “praise our fructifying sun,” Lydia bloomed into a hundred hitherto unsuspected graces of mind and heart and speech. A sly sense of humor woke into life, and a positive talent for conversation, latent hitherto because she had never known any one who cared to drop a plummet into the crystal springs of her consciousness. When the violin was laid away, she would sit in the twilight, by Davy's sofa, his thin hand in hers, and talk with Anthony about books and flowers and music, and about the meaning of life, too,—its burdens and mistakes, and joys and sorrows; groping with him in the darkness to find a clue to God's purposes.
Davy had long afternoons at Lyddy's house as the autumn grew into winter. He read to her while she sewed rags for a new sitting-room carpet, and they played dominoes and checkers together in the twilight before supper time,—suppers that were a feast to the boy, after Mrs. Buck's cookery. Anthony brought his violin sometimes of an evening, and Almira Berry, the next neighbor on the road to the Mills, would drop in and join the little party. Almira used to sing Auld Robin Gray, What Will You Do, Love, and Robin Adair, to the great enjoyment of everybody; and she persuaded Lyddy to buy the old church melodeon, and learn to sing alto in Oh, Wert Thou in the Cauld Blast, Gently, Gently Sighs the Breeze, and I know a Bank. Nobody sighed for the gayeties and advantages of a great city when, these concerts being over, Lyddy would pass crisp seedcakes and raspberry shrub, doughnuts and cider, or hot popped corn and molasses candy.
“But there, she can afford to,” said aunt Hitty Tarbox; “she's pretty middlin' wealthy for Edgewood. And it's lucky she is, for she 'bout feeds that boy o' Croft's. No wonder he wants her to fill him up, after six years of the Widder Buck's victuals. Aurelia Buck can take good flour and sugar, sweet butter and fresh eggs, and in ten strokes of her hand she can make 'em into something the very hogs 'll turn away from. I declare, it brings the tears to my eyes sometimes when I see her coming out of Croft's Saturday afternoons, and think of the stone crocks full of nasty messes she's left behind her for that innocent man and boy to eat up.... Anthony goes to see Miss Butterfield consid'able often. Of course it's awstensibly to walk home with Davy, or do an errand or something, but everybody knows better. She went down to Croft's pretty nearly every day when his cousin from Bridgton come to house-clean. She suspicioned something, I guess. Anyhow, she asked me if Miss Butterfield's two hundred a year was in gov'ment bonds. Anthony's eyesight ain't good, but I guess he could make out to cut cowpons off.... It would be strange if them two left-overs should take an' marry each other; though, come to think of it, I don't know's 't would neither. He's blind, to be sure, and can't see her scarred face. It's a pity she ain't deef, so't she can't hear his everlastin' fiddle. She's lucky to get any kind of a husband; she's too humbly to choose. I declare, she reminds me of a Jack-o'-lantern, though if you look at the back of her, or see her in meetin' with a thick veil on, she's about the best appearin' woman in Edgewood.... I never see anybody stiffen up as Anthony has. He had me make him three white shirts and three gingham ones, with collars and cuffs on all of 'em. It seems as if six shirts at one time must mean something out o' the common!”
Aunt Hitty was right; it did mean something out of the common. It meant the growth of an all-engrossing, grateful, divinely tender passion between two love-starved souls. On the one hand, Lyddy, who though she had scarcely known the meaning of love in all her dreary life, yet was as full to the brim of all sweet, womanly possibilities of loving and giving as any pretty woman; on the other, the blind violin-maker, who had never loved any woman but his mother, and who was in the direst need of womanly sympathy and affection.
Anthony Croft, being ministered unto by Lyddy's kind hands, hearing her sweet voice and her soft footstep, saw her as God sees, knowing the best; forgiving the worst, like God, and forgetting it, still more like God, I think.
And Lyddy? There is no pen worthy to write of Lyddy. Her joy lay deep in her heart like a jewel at the bottom of a clear pool, so deep that no ripple or ruffle on the surface could disturb the hidden treasure. If God had smitten these two with one hand, he had held out the other in tender benediction.
There had been a pitiful scene of unspeakable solemnity when Anthony first told Lyddy that he loved her, and asked her to be his wife. He had heard all her sad history by this time, though not from her own lips, and his heart went out to her all the more for the heavy cross that had been laid upon her. He had the wit and wisdom to put her affliction quite out of the question, and allude only to her sacrifice in marrying a blind man, hopelessly and helplessly dependent on her sweet offices for the rest of his life, if she, in her womanly mercy, would love him and help him bear his burdens.
When his tender words fell upon Lyddy's dazed brain she sank beside his chair, and, clasping his knees, sobbed: “I love you, I cannot help loving you, I cannot help telling you I love you! But you must hear the truth; you have heard it from others, but perhaps they softened it. If I marry you, people will always blame me and pity you. You would never ask me to be your wife if you could see my face; you could not love me an instant if you were not blind.”