CHAPTER X
For the past ten days I have been a very restless person. Mrs. Mundy looks at me out of the corners of her kind and keen and cheery little eyes when she does not think I am noticing, but she asks me nothing. Mrs. Mundy is the wisest woman I know.
If only I could sleep! During the days I am busy, but I dread the long nights when questions crowd that, fight as I may, I cannot keep from asking. Selwyn is my friend. I never doubt a friend. But why does he not come to me? Why does he not make clear that which he must know is inexplicable to me?
I may never marry Selwyn, but certainly I shall marry no one else. How could we hope for happiness when we feel so differently toward much that is vital, when our attitude to life is as apart as the poles? When each thinks the other wrong in points of view and manner of living? Selwyn was born in a house with high walls around it. He likes its walls. He does not care for many to come in, and cares still less to go outside to others. Few people interest him. All sorts interest me. We are both selfish and stubborn, but both hate that which is not clean and clear, and save from his own lips I would not believe that in his life is aught of which he could not tell me.
I have never told him I loved him, never promised to marry him. To live in his high-walled house with its conventional customs, its age-dimmed portraits, its stiff furnishings, and shut-out sunshine, would stifle every cell in brain and lungs, and to marry him would be to marry his house. I hate his house, hate the aloofness, the lack of sympathy it represents. Its proud past I can appreciate, but not its useless present. Save his brother Harrie, it is the one thing of his old life left Selwyn. At the death of his father he bought Harrie's interest and it is all his now. I would not ask him to live elsewhere, but I would choke and smother did I live in his house. And yet—
Ten days have passed and I have neither seen nor heard from Selwyn.
I have often wondered, on waking winter mornings in my very warm bed, how it would feel to go out in the gray dawn of a new day and hurry off to work. Now I know.
For more than a week I have been up at five forty-five, and at six-thirty have been hurrying with Lucy Hobbs, who lives around the corner, to the overalls-factory, where she is a forewoman. It is dark and cold and raw at half-past six on a winter morning, and the sunrise is very different from what it is in summer.
Each morning as I started out with Lucy, and hurried down street after street, I watched the opening doors of the shabby, dull-looking houses we passed with keen interest. Ash-cans and garbage-pails were in front of many of them, and through unshuttered windows a child could occasionally be seen with its face pressed against the pane, waiting to wave good-by to some one who was leaving. Out of the doors of these houses came men and women and boys and girls, who hurried as we hurried, and with a word to some, a wave of her uplifted hand to others, a blank stare at others again, Lucy seemed leading a long procession. Around each corner and from every car that passed came more "Hands," and each morning when the factory was reached a crowd that jammed its entrance and extended half a block up and down the street was waiting for the opening of the door, out of which it would not come until darkness fell again.
For the first day or two I was noticed with indifference on the part of some, resentment on the part of others, but on the third day, as I took my place in the pushing, laughing, growling crowd that made its way up several flights of stairs to the big room where shabby clothes are changed for yet shabbier working ones, my good-mornings were greeted with less grudging acknowledgments, and now we are quite friendly, these "Hands" and I, and through their eyes I am seeing myself and others like me—seeing much and many things from an angle never used before.