The reign of the second Count Fulk is the traditional golden age of Anjou. Under him, she is the proverbially happy land which has no history. While the name of the bishop of Soissons is conspicuous in court and camp, that of his brother the count is never once heard; he waged no wars,[252] he took no share in politics; the annalists of the time find nothing to record of him. But if there is no history, there is plenty of tradition and legend to set before us a charming picture of the Good Count’s manner of life. The arts he cultivated were those of peace; his gentle disposition and refined taste led him to pursuits and habits which in those rough days were almost wholly associated with the clerical profession. His favourite place of retirement, the special object of his reverence and care, was the church of S. Martin at Châteauneuf by Tours. There were enshrined the relics of the “Apostle of the Gauls”; after many a journey to and fro, many a narrow escape from the sacrilegious hands of the northmen, they had been finally brought back to their home, so local tradition said, under the care of Fulk’s grandfather Ingelger. The church was now a collegiate foundation, served by a body of secular canons under the joint control of a dean and—according to an evil usage of the period—a lay-abbot who had only to enjoy his revenues on pretence of watching over the temporal interests of the church. Since the time of Hugh of Burgundy the abbacy of S. Martin’s had always been held by the head of the ducal house of France; and it was doubtless their influence which procured a canonry in their church for Fulk of Anjou. His greatest delight was to escape from the cares of government and go to keep the festival of S. Martin with the chapter of Châteauneuf; there he would lodge in the house of one or other of the clergy, living in every respect just as they did, and refusing to be called by his worldly title; not till after he was gone did the count take care to make up for whatever little expense his host might have incurred in receiving the honorary canon.[253] While there he diligently fulfilled the duties of his office, never failing to take his part in the sacred services. He was not only a scholar, he was a poet, and had himself composed anthems in honour of S. Martin.[254] One Martinmas eve King Louis From-beyond-sea came to pay his devotions at the shrine of the patron saint of Tours. As he and his suite entered the church at evensong, there they saw Fulk, in his canon’s robe, sitting in his usual place next the dean, and chanting the Psalms, book in hand. The courtiers pointed at him mockingly—“See, the count of Anjou has turned clerk!” and the king joined in their mockery. The letter which the “clerk” wrote to Louis, when their jesting came round to his ears, has passed into a proverb: “Know, my lord, that an unlettered king is but a crowned ass.”[255] Fulk was indeed a living proof that it is possible to make the contemplative life of the scholar a help and not a hindrance to the active life of the statesman. The poet-canon was no mere dreamer; he was a practical, energetic ruler, who worked hard at the improvement and cultivation, material as well as intellectual, of his little marchland, rebuilding the churches and the towns that had been laid waste by the northmen, and striving to make up for the losses sustained during the long years of war. The struggle was completely over now; a great victory of King Rudolf, in the year after Ingelger’s death,[256] had finally driven the pirates from the Loire; and there was nothing to hinder Fulk’s work of peace. The soil had grown rich during the years it had lain fallow, and now repaid with an abundant harvest the labours of the husbandman; the report of its fertility and the fame of Fulk’s wise government soon spread into the neighbouring districts; and settlers from all the country round came to help in re-peopling and cultivating the marchland.[257] This idyl of peace lasted for twenty years, and ended only with the life of Fulk. In his last years he became involved in the intricacies of Breton politics, and storm-clouds began to gather on his western border; but they never broke over Anjou itself till the Good Count was gone.

The old Breton kingdom had now sunk into a duchy which was constantly a prey to civil war. The ruling house of the counts of Nantes were at perpetual strife with their rivals of Rennes. Alan Barbetorte, count of Nantes, had been compelled to flee the country and take shelter in England, at the general refuge of all exiles, the court of Æthelstan, till a treaty between Æthelstan’s successor Eadmund and Louis From-over-sea restored him to the dukedom of Britanny for the rest of his life. He died in 952, leaving his duchy and his infant son Drogo to the care of his wife’s brother, Theobald, count of Blois and Chartres, a wily, unscrupulous politician known by the well-deserved epithet of “the Trickster,” who at once resolved to turn his brother-in-law’s dying charge to account for purposes of his own. But between his own territories and the Breton duchy lay the Angevin march; his first step therefore must be to make a friend of its ruler. For this end a very simple means presented itself. Fulk’s wife had left him a widower with one son;[258] Theobald offered him the hand of his sister, the widow of Alan, and with it half the city and county of Nantes, to have and to hold during Drogo’s minority; while he gave the other half to the rival claimant of the duchy, Juhel Berenger of Rennes, under promise of obedience to himself as overlord.[259] Unhappily, the re-marriage of Alan’s widow was soon followed by the death of her child. In later days Breton suspicion laid the blame upon his step-father; but the story has come down to us in a shape so extremely improbable that it can leave no stain on the memory of the Good Count.[260] Two sons of Alan, both much older than Drogo, still remained. But they were not sons of Drogo’s mother; Fulk therefore might justly think himself entitled to dispute their claims to the succession, and hold that, in default of lawful heirs, the heritage of Duke Alan should pass, as the dowry of the widow, to her second husband—a practice very common in that age. And Fulk would naturally feel his case strengthened by the fact that part at least of the debateable land—that is, nearly half the territory between the Mayenne and Nantes itself—had once been Angevin ground.

Just at this crisis the Normans made a raid upon Britanny, of which their dukes claimed the overlordship. They captured the bishop of Nantes, and the citizens, thus left without a leader of any kind, and in hourly fear of being attacked by the “pirates,” sent an urgent appeal to Fulk for help. Fulk promised to send them succour, but some delay occurred; at the end of a week’s waiting the people of Nantes acted for themselves, and succeeded in putting the invaders to flight. Indignant at the Angevin count’s failure to help, they threw off all allegiance to him and chose for their ruler Hoel, one of the sons of Alan Barbetorte.[261]

These clouds on the western horizon did not trouble the peace of Fulk’s last hour. As he knelt to receive the holy communion in S. Martin’s church on one of the feasts of the patron saint, a slight feeling of illness came over him; he returned to his place in the choir, and there, in the arms of his brother-canons, passed quietly away.[262] We cannot doubt that they laid him to rest in the church he had loved so well.[263] With him was buried the peace of the Marchland. Never again was it to have a ruler who “waged no wars”; never again, till the title of count of Anjou was on the eve of being merged in loftier appellations, was that title to be borne by one whose character might give him some claim to share the epithet of “the Good,” although circumstances caused him to lead a very different life. Fulk the Second stands all alone as the ideal Angevin count, and it is in this point of view that the legends of his life—for we cannot call them history—have a value of their own. The most famous of them all is, in its original shape, a charming bit of pure Christian poetry. One day—so the tradition ran—the count, on his way to Tours, was accosted by a leper desiring to be carried to S. Martin’s. All shrank in horror from the wretched being except Fulk, who at once took him on his shoulders and carried him to the church-door. There his burthen suddenly vanished; and at the midnight service, as the count-canon sat in his stall, he beheld in a trance S. Martin, who told him that in his charity he had, like another S. Christopher, unwittingly carried the Lord Himself.[264] Later generations added a sequel to the story. Fulk, they said, after his return to Angers, was further rewarded by a second vision; an angel came to him and foretold that his successors to the ninth generation should extend their power even to the ends of the earth.[265] At the time when this prophecy appears in history, it had already reached its fulfilment. In all likelihood it was then a recent invention; in the legend to which it was attached it has obviously no natural place. But its introduction into the story of Fulk the Good was prompted by a significant instinct. At the height of their power and their glory, the reckless, ruthless house of Anjou still did not scorn to believe that their greatness had been foretold not to the warrior-founder, not to the bravest of his descendants, but to the good count who sought after righteousness and peace. Even they were willing, in theory at least, to accept the dominion of the earth as the promised reward not of valour but of charity.

Whatever may be the origin of the prophecy, however, it was in the reign of Fulk’s son and successor Geoffrey Greygown that the first steps were taken towards its realization. Legend has been as busy with the first Geoffrey of Anjou as with his father; but it is legend of a very different kind. The epic bards of the marchland singled out Geoffrey for their special favourite; in their hands he became the hero of marvellous combats, of impossible deeds of knightly prowess and strategical skill, of marvellous stories utterly unhistoric in form, but significant as indications of the character popularly attributed to him—a character quite borne out by those parts of his career which are attested by authentic history. Whatever share of Fulk’s more refined tastes may have been inherited by either of his sons seems to have fallen to the second, Guy, who early passed into the quiet life of the monk in the abbey of S. Paul at Corméri in Touraine.[266] The elder was little more than a rough, dashing soldier, whose careless temper shewed itself in his very dress. Clad in the coarse grey woollen tunic of the Angevin peasantry,[267] Geoffrey Greygown made himself alike by his simple attire and by his daring valour a conspicuous figure in the courts and camps of King Lothar and Duke Hugh.