Emerson appreciated Mrs. Botta as a hostess. He enjoyed being in her home, saying it "rested him." "I wish that I could believe that in your miles of palaces were many houses and house-keepers as excellent as I know at 25 West 37th Street, your house with the expanding doors." He speaks of her invitation as "one of the happiest rainbows." "Your hospitality has an Arabian memory, to keep its kind purpose through such a long time. You were born under Hatem Yayi's own star, and like him, are the genius of hospitality." (Haten Yayi was a celebrated Oriental whose house had sixteen doors.)
And Mrs. Botta was greatly cheered by Emerson. She wrote:
I always wish I had had my photograph taken when Mr. Emerson was staying in my house. Everyone felt his influence, even the servants who would hardly leave the dining-room. I looked like a different being, and was so happy I forgot to see that he had enough to eat.
Early in her time some of her friends—such as Ripley, Curtis, and Cranch—had joined a small agricultural and educational association, called the "Brook Farm," near Roxbury, Massachusetts. She visited them once or twice, and saw Mr. Curtis engaged in washing dishes which had been used by "The Community." She remarked to him that perhaps he could be better employed for the progress of his fellow-men than in wasting his energy on something more easily done by others.
At one time she invited Bronson Alcott, one of the leaders of a similar movement, to preside over some conversazioni in her parlours, where he could elucidate his favourite subject. On one occasion, a lady in the audience, impressed by some sentiments uttered by the lecturer, inquired of him if his opinion was that we were gods. "No," answered Mr. Alcott, "we are not gods, but only godlings," an explanation which much amused Mrs. Botta, who was always quick in perceiving the funny side of a remark. (I timidly suggest that s be substituted for d.)
Mrs. Botta having promised to see Mr. Greeley, and urge him to give a favourable notice in the Tribune of the concert where a young singer was to make her début, went down to his office to plead for a lenient criticism. But not one word appeared. So down she went to inquire the reason. She was ushered into the Editor's Sanctum, where he was busily writing and hardly looked up. She asked why he was so silent; it was such a disappointment. No reply. She spoke once more. Then came the verdict in shrill tones: "She can't sing. She can't sing. She can't sing."
New Year's calls were then the custom, and more than three hundred men paid their respects to Mr. and Mrs. Botta on the New Year's Day I spent with them. And everyone looked, as Theodore Hook said, as if he were somebody in particular. At one of these "Saturday Evenings," a stranger walked through her rooms, with hands crossed under his coat and humming execrably as he wandered along. The gentle hostess went to him with her winning smile and inquired, "Do you play also?" That proves her capacity for sarcasm and criticism which she seldom employed. She conversed remarkably well, but after all it was what she did not say that proved her greatness and self-control.
Mrs. Botta had talent in various directions. She made portrait busts in plaster that really were like the subjects, with occasionally an inspired success, and that without any teaching. She showed genius in this work. When a bust of her modelling was sent to Rome to be put into marble, the foremost of Italian sculptors, not knowing the maker, declared that nothing would be beyond the reach of the artist if he would come to Rome and study technique for a year. Mrs. Botta asked me to let her try to get my face. That was delightful. To be with her in her own studio and watch her interest! Later some discouragement, and then enthusiasm as at last the likeness came. She said she took the humorous side of my face. The other side she found sad. My friends not only recognized my face, but they saw my mother's face inwrought.
Mrs. Botta had talent in various directions. She published a large book, The Hand Book of Universal Literature, once used at Harvard and other colleges, and hoped to prepare one of similar style on Universal History. She also wrote a small volume of poems, but her days were given to the needs of others. Only a few mornings were we able to work on her Universal History. There were too many calls for advice, sympathy, or aid; the door-bell rang too often. I heard a young girl once say of her: "She is great enough to have been an inspired prophetess of olden times, and tender enough to have been the mother of our Dear Saviour." Such were the words of impassioned praise that fell from the lips of a young, motherless, Roman Catholic girl, one of the many whom Mrs. Botta had taught and befriended. Once, when reading to Mrs. Botta in connection with her "History," a man called to see her about getting material for her biography. To my surprise, she waved her hand to me saying, "This young lady is to be my biographer." As I felt entirely unable to attempt such a work I told her it should be made up of letters from a host of friends who had known her so well and so long. This pleased her, and after her death her husband wrote me urging me to edit such a composite picture, but knowing his superior fitness for the work, I thanked him for the compliment, but declined. What a delightful result was accomplished by his good judgment, literary skill, and the biographical notes gladly given by her intimate friends. I will give a few quotations from the tributes:
To me—as to others—her conversation was singularly inspiring; it suggested to a man his best trains of thought; it developed in him the best he had; it made him think better of himself and of mankind; it sent him away stronger for all good work.