I never knew but one, and here he lies.

Walter Scott’s dogs had an extraordinary fondness for him. Swanston declares that he had to stand by, when they were leaping and fawning about him, to beat them off lest they should knock him down. One day, when he and Swanston were in the armory, Maida (the dog which now lies at his feet in the monument at Edinburgh), being outside, had peeped in through the window, a beautifully painted one, and the instant she got a glance of her beloved master she bolted right through it and at him. Lady Scott, starting at the crash, exclaimed, “O gracious, shoot her!” But Scott, caressing her with the utmost coolness, said, “No, no, mamma, though she were to break every window at Abbotsford.” He was engaged for an important dinner party on the day his dog Camp died, but sent word that he could not go, “on account of the death of a dear old friend.” He tried early one morning to make the fire of peat burn, and after many efforts succeeded in some degree. At this moment one of the dogs, dripping from a plunge in the lake, scratched and whined at the window. Sir Walter let the “puir creature” in, who, coming up before the little fire, shook his shaggy hide, sending a perfect shower bath over the fire and over a great table of loose manuscripts. The tender-hearted author, eying the scene with his usual serenity, said slowly, “O dear, ye’ve done a great deal of mischief!” This equanimity is only equalled by Sir Isaac Newton’s exclamation, now, alas! pronounced a fiction, “O Diamond, Diamond, little dost thou know the injury thou hast done!”

“The wisest dog I ever had,” said Scott, “was what is called the bulldog terrier. I taught him to understand a great many words, insomuch that I am positive that the communication betwixt the canine species and ourselves might be greatly enlarged. Camp once bit the baker who was bringing bread to the family. I beat him and explained the enormity of the offence, after which, to the last moment of his life, he never heard the least allusion to the story, in whatever voice or tone it was mentioned, without getting up and retiring to the darkest corner of the room with great appearance of distress. Then if you said, ‘The baker was well paid,’ or ‘The baker was not hurt, after all,’ Camp came forth from his hiding place, capered and barked and rejoiced. When he was unable, toward the end of his life, to attend me when on horseback, he used to watch for my return, and the servant would tell him ‘his master was coming down the hill’ or ‘through the moor,’ and, although he did not use any gesture to explain his meaning, Camp was never known to mistake him, but either went out at the front to go up the hill or at the back to get down to the moorside. He certainly had a singular knowledge of spoken language.”

Once when the great novelist was sitting for his picture he exclaimed, “I am as tired of the operation as old Maida, who has been so often sketched that he got up and walked off with signs of loathing whenever he saw an artist unfurl his paper and handle his brushes!”

It is well known that a dog instantly discerns a friend from an enemy; in fact, he seems to know all those who are friendly to his race. There are few things more touching in the life of this great man than the fact that, when he walked in the streets of Edinburgh, nearly every dog he met came and fawned on him, wagged his tail at him, and thus showed his recognition of the friend of his race.

Àpropos of understanding what is said to them, Bayard Taylor says, “I know of nothing more moving, indeed semi-tragic, than the yearning helplessness in the face of a dog who understands what is said to him and can not answer.”

Walter Savage Landor, irascible, conceited, tempestuous, had a deep affection for dogs, as well as all other dumb creatures, that was interesting. “Of all the Louis Quatorze rhymesters I tolerate La Fontaine only, for I never see an animal, unless it be a parrot, a monkey, or a pug dog, or a serpent, that I do not converse with it either openly or secretly.”

The story of the noble martyr Gellert, who risked his own life for his master’s child, only to be suspected and slain by the hand he loved so well, is perhaps too familiar to be repeated, and yet I can not resist Spenser’s version:

The huntsman missed his faithful hound; he did not respond to horn or cry. But at last as Llewelyn “homeward hied” the dog bounded to greet him, smeared with gore. On entering the house he found his child’s couch also stained with blood, and the infant nowhere to be seen. Believing Gellert had devoured the boy, he plunged his sword in his side, but soon discovered the cherub alive and rosy, while beneath the couch, gaunt and tremendous, a wolf torn and killed:

Ah, what was then Llewelyn’s woe!