“Within a few days the family were all away again. Again Tiger was left in the house alone. When the family returned, Mrs. Creveling again went to her room. Tiger had been there again in her absence. He had again been on the bed. But Tiger’s sheet—the one upon which he slept at night was there too. And the sheet was spread out, covering the bed. And there had been no one to spread out the sheet for Tiger. He had spread it out for himself. Is not here a display of intelligence—of intelligence in activity in employment—of reason? What had Tiger done? He had put his nose under the washstand and pulled the sheet out. He had put the sheet on the bed. He had spread the sheet out over the bed. What had been Tiger’s train of thought? This, or something very much like it: ‘I want to lie on that bed because it reminds me of my absent master and mistress. But I don’t dare to do so. I will give offence if I do so. I will be punished. Why am I not wanted to lie on the bed? Because I soil it. What shall I do? There is the sheet—my sheet. They don’t care if I lie on that. I will spread the sheet over the bed. What a great head I have!’ The reader understands, of course, that I am not claiming that Tiger has sufficient command of the English language to even subjectively express himself as I have represented him. I have only tried to bring as strongly as possible to the reader’s mind the fact that a train of thought must have passed through the dog’s mind. And a train of thought could not pass through his mind if he hadn’t a mind. Having a mind, then what? He thinks. He reasons. What else? If my mind is immortal why not Tiger’s? And remember that I can prove the truth of every detail of this story by three witnesses—Mr. Creveling, his wife, and his wife’s friend. No court would ask more.”
Jules Janin’s dog made him a literary man. His favourite walk was in Luxembourg Garden, where he was delighted to see his dog gambol. The dog made another dog’s acquaintance, and they became so attached to each other that their masters were brought together and became friends. The new friend urged him to better his fortunes by writing for the newspapers, and introduced him to La Lorgnette, from which time he constantly rose. In 1828 he was appointed dramatic critic of the Journal des États, and his popularity there lasted undiminished for twenty years.
London has a home for lost and starving dogs, for the benefit of which a concert was recently given. Had Richard Wagner been alive, he would have doubtless bought a box for this occasion. One of the greatest sorrows of his life was the temporary loss of his Newfoundland dog in London.
Here is a quaint story which shows the gentle Elia in a most characteristic way: “Just before the Lambs quitted the metropolis,” says Pitman, “they came to spend a day with me at Fulham and brought with them a companion, who, dumb animal though he was, had for some time past been in the habit of giving play to one of Charles Lamb’s most amiable characteristics—that of sacrificing his own feelings and inclinations to those of others. This was a large and very handsome dog, of a rather curious and sagacious breed, which had belonged to Thomas Hood, and at the time I speak of, and to oblige both dog and master, had been transferred to the Lambs, who made a great pet of him, to the entire disturbance and discomfiture, as it appeared, of all Lamb’s habits of life, but especially of that most favourite and salutary of all—his long and heretofore solitary suburban walks; for Dash—that was the dog’s name—would never allow Lamb to quit the house without him, and when out, would never go anywhere but precisely where it pleased himself. The consequence was, that Lamb made himself a perfect slave to this dog, who was always half a mile off from his companion, either before or behind, scouring the fields or roads in all directions, up and down ‘all manner of streets,’ and keeping his attendant in a perfect fever of anxiety and irritation from his fear of losing him on the one hand, and his reluctance to put the needful restraint upon him on the other. Dash perfectly well knew his host’s amiable weakness in this respect, and took a doglike advantage of it. In the Regent’s Park, in particular, Dash had his quasi-master completely at his mercy, for the moment they got within the ring he used to squeeze himself through the railing and disappear for half an hour together in the then inclosed and thickly planted greensward, knowing perfectly well that Lamb did not dare to move from the spot where he (Dash) had disappeared, till he thought proper to show himself again. And they used to take this walk oftener than any other, precisely because Dash liked it, and Lamb did not.”
Beecher said that “in evolution, the dog got up before the door was shut.” If there were not reason, mirthfulness, love, honour, and fidelity in a dog, he did not know where to look for them, And Huxley has devoted much attention to the study of canine ability. He once illustrated, by the skeleton of the animal being raised on hind legs, that in internal construction the only difference between man and dog was one of size and proportion. There was not a bone in one which did not exist in the other, not a single constituent in the one that was not to be found in the other, and by the same process he could prove that the dog had a mind. His own dog was certainly not a mere piece of animate machinery. He once possessed a dog which he frequently left among the thousands frequenting Regent’s Park to secrete himself behind a tree. So soon as the animal found that he had lost his master, he laid his nose to the ground and soon tracked him to his hiding place. He believed there was no fundamental faculty connected with the reasoning powers that might not be demonstrated to exist in dogs. He did not believe that dogs ever took any pleasure in music; but this seems not to be always the case. Adelaide Phillips, the famous contralto, told me that her splendid Newfoundland Cæsar was quite a musician. She gave him singing lessons regularly. “I see him now,” she said, “his fore paws resting on my knee. I would say: ‘Now the lesson begins. Look at me, sir. Do as I do.’ Then I would run down the scale in thirds, and Cæsar, with head thrown back and swaying from side to side, would really sing the scale. He would sing the air of The Brook very correctly. But it was the best sport to see him attempt the operatic.” Here her gestures became showy and impressive, as if on the stage, and her mimicking of the dog’s efforts to follow her were comical in the extreme. Sometimes (so quickly did he catch all the tricks of the profession) he would not sing until urged again and again. Sometimes he would be “out of voice,” and make most discordant sounds. He has an honoured grave at her country home in Marshfield, where Webster also put up a stone in memory of his horse Greatheart.
Charlotte Cushman loved animals, especially dogs and horses; and her blue Skye terrier Bushie, with her human eyes and uncommon intelligence, has a permanent place in the memoirs of her mistress. Miss Cushman would say, “Play the piano, Bushie,” and Bush knew perfectly well what was meant, and would go through the performance, adding a few recitative barks with great gravity and éclat. The phrase “human eyes” recalls what Blackmore, the novelist—who has a genuine, loving appreciation of our dear dumb animals—says of a dog in Christowell: “No lady in the land has eyes more lucid, loving, eloquent, and even if she had, they would be as nothing without the tan spots over them.”
Patti has many pets, and always takes some dog with her on her travels, causing great commotion at hotels. She also leaves many behind her as a necessity. She has an aviary at her castle in Wales, and owns several most loquacious parrots.
Miss Mitford’s gushing eulogy upon one of her numerous dogs is too extravagant to be quoted at length: “There never was such a dog. His temper was, beyond comparison, the sweetest ever known. Nobody ever saw him out of humour, and his sagacity was equal to his temper.... I shall miss him every moment of my life. We covered his dead body with flowers; every flower in the garden. Everybody loved him, dear saint, as I used to call him, and as I do not doubt he now is. Heaven bless him, beloved angel!”
Mr. Fields writes: “Miss Mitford used to write me long letters about Fanchon, a dog whose personal acquaintance I had made some time before while on a visit to her cottage. Every virtue under heaven she attributed to that canine individual, and I was obliged to allow in my return letters that since our planet began to spin nothing comparable to Fanchon had ever run on four legs.”
Mrs. Browning was fond of pets, especially of her dog Flush, presented by Miss Mitford, which she has immortalized in a sonnet and a long and exquisite poem: