"Dromy.—From the termination of this address it seems to have been written to a woman, though there is no internal evidence to support this hypothesis. The best critics are much puzzled about the orthography of this abbreviation. Wartonius and other skilful etymologists contend that it ought to be spelled drummy, being addressed to a lady who was probably fond of warlike instruments, and who had a singular predilection for a canon. Drummy, say they, was a tender diminutive of drum, as the best authors in their more familiar writings now begin to use gunny for gun. But Hardius, a contemporary critic, contends, with more probability, that it ought to be written Drome, from hippodrome; a learned leech and elegant bard of Bath having left it on record that this lady spent much of her time at the riding-school, being a very exquisite judge of horsemanship. Colmanus and Horatius Strawberryensis insist that it ought to be written Dromo, in reference to the Dromo Sorasius of the Latin dramatist."

Note (b).

"Ante.—Scaliger 2d says this name simply signifies the appellation of uncle's wife, and ought to be written Aunty. But here, again, are various readings. Philologists of yet greater name affirm that it was meant to designate pre-eminence, and therefore ought to be written ante, before, from the Latin, a language now pretty well forgotten, though the authors who wrote in it are still preserved in French translations. The younger Madame Dacier insists that this lady was against all men, and that it ought to be spelled anti; but this Kennicotus, a rabbi of the most recondite learning, with much critical wrath, vehemently contradicts, affirming it to have been impossible she could have been against mankind whom all mankind admired. He adds that ante is for antelope, and is emblematically used to express an elegant and slender animal, or that it is an elongation of ant, the emblem of virtuous citizenship."

And so she continues her comments to close of notes.

Mrs. Gaskell's "Cranford" is full of the most delicate but veritable humor, as her allusion to the genteel and cheerful poverty of the lady who, in giving a tea-party, "now sat in state, pretending not to know what cakes were sent up, though she knew, and we knew, and she knew that we knew; and we knew that she knew that we knew she had been busy all the morning making tea-bread and sponge-cakes."

The humor of Mary Russell Mitford, quiet and delectable, must not be forgotten. We will sympathize with her woes as she describes a visitation from

THE TALKING LADY.

"Ben Jonson has a play called The Silent Woman, who turns out, as might be expected, to be no woman at all—nothing, as Master Slender said, but 'a great lubberly boy,' thereby, as I apprehend, discourteously presuming that a silent woman is a nonentity. If the learned dramatist, thus happily prepared and predisposed, had happened to fall in with such a specimen of female loquacity as I have just parted with, he might, perhaps, have given us a pendant to his picture in the talking lady. Pity but he had! He would have done her justice, which I could not at any time, least of all now; I am too much stunned, too much like one escaped from a belfry on a coronation day. I am just resting from the fatigue of four days' hard listening—four snowy, sleety, rainy days; days of every variety of falling weather, all of them too bad to admit the possibility that any petticoated thing, were she as hardy as a Scotch fir, should stir out; four days chained by 'sad civility' to that fireside, once so quiet, and again—cheering thought!—again I trust to be so when the echo of that visitor's incessant tongue shall have died away....

"She took us in her way from London to the west of England, and being, as she wrote, 'not quite well, not equal to much company, prayed that no other guest might be admitted, so that she might have the pleasure of our conversation all to herself (ours! as if it were possible for any of us to slide in a word edgewise!), and especially enjoy the gratification of talking over old times with the master of the house, her countryman.'