Toward ten o'clock on an August morning—for the chauffeur, like our Cheshire coachman, could not be hurried over his "bit of breakfast"—we tucked ourselves and a confiding Shrewsbury lady into a snug motor-car, and away we sped through northeastern Shropshire across the county line. In a gasp or two the name Eccleshall glimmered through the dust that flew against our goggles. This little town has one of the finest churches in the county, but the frenzy of speed was on us, and we tore by. Suddenly we came upon the Trent, winding along, at what struck us as a contemptibly sluggish pace, down Staffordshire on its circuitous route to the Humber. We tooted our horn and honked up its western side to the Potteries. Here the machine suffered an attack of cramps, and while it was groaning and running around in a circle and pawing the air, we had our first opportunity to look about us.

The region known as the Potteries, the chief seat of the earthenware manufactures of England, consists of a strip of densely populated land in this upper basin of the Trent, a strip some ten miles long by two miles broad, whose serried towns and villages give the aspect of one continuous street. Within this narrow district are over three hundred potteries, whose employees number nearly forty thousand, apart from the accessory industries of clay-grinding, bone-grinding, flint-grinding, and the like. It draws on its own beds of coal and iron, but the china-clay comes from Cornwall by way of Runcorn and the Grand Trunk Canal, while for flints it depends on the south coast of England and on France. Genius here is named Josiah Wedgwood. This inventor of fine porcelains, whose "Queen's ware" gained him the title of "Queen's Potter," was born in 1759 at Burslem, which had been making brown butter-pots as far back as the days of Charles I. When Burslem grew too small for his enterprise, Wedgwood established the pottery village of Etruria, to which the automobile passionately refused to take us. It dashed us into Newcastle-under-Lyme, where we did not particularly want to go, and rushed barking by Stoke-under-Trent, the capital of the Potteries and also—though we had not breath to mention it—the birthplace of Dinah Mulock Craik. In the last town of the line, Longtown, our machine fairly balked, and the chauffeur with dignity retired under it. A crowd of keen-faced men and children gathered about us, while we ungoggled to observe the endless ranks of house-doors opening into baby-peopled passages,—and, looming through the murky air, the bulging ovens of the china factories. At last our monster snorted on again, wiggling up the hill sideways with a grace peculiar to itself and exciting vain hopes of a wreck in the hearts of our attendant urchins. It must have been the Potteries that disagreed with it, for no sooner were their files of chimneys left behind than it set off at a mad pace for Uttoxeter, on whose outskirts we "alighted," like Royalty, for a wayside luncheon of sandwiches, ale, and dust.

IN THE POTTERIES—A CHILD-MOTHER

Uttoxeter is no longer the idle little town that Hawthorne found it, when he made pilgrimage thither in honour of Dr. Johnson's penance, for the good Doctor, heart-troubled for fifty years because in boyhood he once refused to serve in his father's stead at the market bookstall, had doomed himself to stand, the whole day long, in the staring market-place, wind and rain beating against his bared grey head, "a central image of Memory and Remorse." Lichfield, Dr. Johnson's native city, commemorates this characteristic act by a bas-relief on the pedestal of the statue standing opposite the three-pillared house where the greatest of her sons was born.

While our chauffeur, resting from his labours under the hedge, genially entertained the abuse of a drunken tramp who was accusing us all of luxury, laziness, and a longing to run down our fellowmen, my thoughts turned wistfully to Lichfield, lying due south, to whose "Queen of English Minsters" we were ashamed to present our modern hippogriff. I remembered waking there one autumnal morning, years ago, at the famous old inn of the Swan, and peering from my window to see that wooden bird, directly beneath it, flapping in a rainy gale. The cathedral rose before the mental vision,—the grace of its three spires; its wonderful west front with tiers of saints and prophets and archangels, "a very Te Deum in stone"; the delicate harmonies of colour and line within; the glowing windows of the Lady Chapel; the "heaven-loved innocence" of the two little sisters sculptured by Chantrey, and his kneeling effigy of a bishop so benignant even in marble that a passing child slipped from her mother's hand and knelt beside him to say her baby prayers. What books had been shown me there in that quiet library above the chapter-house! I could still recall the richly illuminated manuscript of the "Canterbury Tales," a volume of Dr. South's sermons with Dr. Johnson's rough, vigorous pencil-marks all up and down the margins, and, treasure of treasures, an eighth-century manuscript of St. Chad's Gospels. For this is St. Chad's cathedral, still his, though the successive churches erected on this site have passed like human generations, each building itself into the next.

St. Chad, hermit and bishop, came from Ireland as an apostle to Mercia in the seventh century. Among his first converts were the king's two sons, martyred for their faith. Even in these far distant days his tradition is revered, and on Holy Thursday the choristers of the cathedral yet go in procession to St. Chad's Well, bearing green boughs and chanting. A century or so ago, the well was adorned with bright garlands for this festival. The boy Addison, whose father was Dean of Lichfield, may have gathered daffodils and primroses to give to good St. Chad.

The ancient city has other memories. Farquhar set the scene of his "Beaux' Stratagem" there. Major André knew those shaded walks. In the south transept of the cathedral is the sepulchre of Garrick, whose death, the inscription tells us, "eclipsed the gaiety of nations and impoverished the public stock of harmless pleasure." It may be recalled that Hawthorne found it "really pleasant" to meet Lady Mary Wortley Montagu's tomb in the minster, and that Scott asserts there used to be, in "moated Lichfield's lofty pile," a monument to Marmion, whose castle stood a few miles to the southeast, at Tamworth.

But the motor-car, full-fed with gasoline, would brook no further pause. As self-important as John Hobs, the famous Tanner of Tamworth whom "not to know was to know nobody," it stormed through Uttoxeter and on, outsmelling the breweries of Burton-on-Trent. Ducks, hens, cats, dogs, babies, the aged and infirm, the halt and the blind, scuttled to left and right. Policemen glared out at it from their "motor-traps" in the hedges. A group of small boys sent a rattle of stones against it. Rocester! Only three miles away were the ruins of the Cistercian Abbey of Croxden. We would have liked to see them, if only to investigate the story that the heart of King John is buried there, for we had never before heard that he had a heart; but while we were voicing our desire we had already crossed the Dove and whizzed into Derbyshire.