That's how the Little Black Devil was made."
Sigurd lived too early to take part in the Free Verse controversy, but he evinced an open mind on matters metrical in that he liked Lord Byron's inscription for his Newfoundland Boatswain no better than Lord Eldon's for his Newfoundland Cæsar. It was Sir William Watson's famous quatrain, An Epitaph, that affected him most keenly, because it invited emphasis on the one word that always brought him springing to his feet.
"His friends he loved. His fellest earthly foes
—Cats—I believe he did but feign to hate.
My hand will miss the insinuated nose,
Mine eyes the tail that wagged contempt at Fate."
As Sigurd was duly shown Canis Major in the ethereal heavens, so was he introduced to certain starry dogs that shine in the skies of English poetry,—the pampered "smale houndes" of Chaucer's Prioress, King Lear's elegant little "Tray, Blanche, and Sweetheart," dear, clownish Crab, and all that pack of rich-voiced hunting hounds whose "gallant chiding" rings through Elizabethan literature. The boy Will Shakespeare must often have hearkened to the hounds, "match'd in mouth like bells," coursing the Cotswolds, Silver and Belman and Sweetlips and Echo, their heads hung "with ears that sweep away the morning dew," the "speed of the cry" outrunning his "sense of hearing."
Sigurd was but mildly interested when we told him that in George Eliot's novels there were over fifty dogs, ranging all the way from pug to mastiff, nor did he care greatly for Dickens' dogs, not even blundering, ill-favored, clumsy, "bullet-headed" Diogenes, Florence Dombey's comforter, nor the bandy leader of Jerry's dancing troupe, who, because of a lost half-penny, had to grind out Old Hundred on the barrel-organ while his companions devoured their supper—and his; but Scott's dogs, from fleet Lufra of The Lady of the Lake to the Dandy Dinmonts of Guy Mannering,—"There's auld Pepper and auld Mustard, and young Pepper and young Mustard, and little Pepper and little Mustard"—made him blink and prick up his ears. Thus encouraged, I would tell him of Sir Walter's love for all his home dogs and most of all for the tall stag-hound Maida; how Herrick wept for his spaniel Tracy; how Southey grieved when his "poor old friend" Phillis, another spaniel, was drowned; how Landor delighted in dogs from the boyhood when he boxed with Captain behind the coach house door to the extreme old age whose loneliness was solaced by two silky-coated Pomeranians, first, in Bath, by the golden Pomero, who would bark an ecstatic accompaniment to his master's tremendous explosions of laughter, and then, in Florence, by Giallo, whose opinions on politics and letters the snowy-bearded poet would quote with humorous respect; how Nero, a Maltese fringy-paws, brightened the somber home of the Carlyles; and how Pope's favorite dog was, as he bitterly suggests, not unlike himself in being "a little one, a lean one, and none of the finest shaped." If Sigurd seemed responsive, I might go on with accounts of Mrs. Browning's Flush; of Hogg's Hector, "auld, towzy, trusty friend"; of Arnold's dachshunds, Geist, Max and Kaiser; of Gilder's Leo,
"Leo the shaggy, the lustrous, the giant, the gentle Newfoundland,"
of Lehman's "flop-eared" Rufus, and of Miss Letts' terrier Tim in his "wheaten-colored coat."