"Hoh! You have change enough. Look in your little brown bag and see."
"I have no change."
"Then give me a peseta. Come, now, a whole peseta!"
"But why should I give you a peseta?"
The girl stares like an angry hawk.
"But why shouldn't you?" Darting away, she hustles together a group of toddlers, hardly able to lisp, and drives them on to the attack.
"Beg, Isabelita! Beg of the lady, little Conception! Beg, Alfonsito! Beg, beg, beg! Beg five centimos, ten centimos! Beg a peseta for us all!"
And out pop the tiny palms, and the babble of baby voices makes a pleading music in the air. It is for such as these that the little brown bag has learned to carry dulces.
Before the month was over we had, in a slow, grippe-chastened fashion, "done our Baedeker." We had our favorite courts and corridors in the magical maze of the Moorish palace; we knew the gardens and fountains of the Generalife, even to that many-centuried cypress beneath whose shade the Sultana Zoraya was wont to meet her Abencerrage lover; our fortunes had been told in the gypsy caves of the Albaicín; we had visited the stately Renaissance cathedral where, in a dim vault, the "Catholic Kings," Ferdinand and Isabella, take their royal rest; we had made a first acquaintance with the paintings of the fire-tempered Granadine, Alonso Cano, and paid our dubious respects to the convent of Cartuja, with its over-gorgeous ornament and its horrible pictures of Spanish martyrdoms inflicted by that "devil's bride," Elizabeth of England. We had explored the parks and streets of the strange old city, where we possessed, according to the terms of Spanish hospitality, several houses; but better than the clamorous town we liked our own wall-girdled height, with its songful wood of English elms, planted by the Duke of Wellington, its ever murmuring runlets of clear water, its jessamines and myrtles, its Arabian Nights of mosque and tower, and its far outlook over what is perhaps the most entrancing prospect any hill of earth can show. The sunset often found us leaning over the ivied wall beneath the Torre de la Vela, that bell-tower where the first cross was raised after the Christian conquest, gazing forth from our trellised garden-nook on a vast panorama of gray city all quaintly set with arch and cupola, of sweeping plain with wealth of olive groves, vineyards, orange orchards, pomegranates, aloes, and cypresses, bounded by glistening ranks of snow-cloaked mountains. From the other side of the Alhambra plateau, the fall is sheer to the silver line of the Darro. Across the river rises the slope of the Albaicín, once the chosen residence of Moorish aristocracy, but now dotted over, amid the thickets of cactus and prickly pear, with whitewashed entrances to gypsy caves. Beyond all shine the resplendent summits of the great Sierras.
Yet it is strange how homely are many of the memories that spring to life in me at the name of the Alhambra,—decorous donkeys, laden with water-jars, trooping up the narrow footpath to the old Fountain of Tears, herds of goats clinging like flies to the upright precipice, a lurking peasant darting out on his wife as she passes with a day's earnings hidden in her stocking and holding her close, with laughter and coaxing, while he persistently searches her clothing until he finds and appropriates that copper hoard, and our own cheery little house-drudge washing our linen in a wayside rivulet and singing like a bird as she rubs and pounds an unfortunate handkerchief between two haphazard stones:—