As they quaffed this modest refreshment and watched the shifting groups about the venta, which seemed the centre of the social life, there suddenly appeared upon the scene a ghost from the modern world, an everyday gentleman in a straw hat, as citified and up to date as if he had that moment stepped out of a Madrid café. All the loungers within and without the venta sprang to their feet, bared their heads, and bowed low to this anachronism with so profound a deference that the tourists began to wonder if the irrepressible Gil Blas had come alive again. Not he! This was the Marquis of Santillana, bearing under his arm instead of a sword a bundle of newspapers. The first Marquis of Santillana had been a famous warrior and troubadour. This latest "inheritor of old renown," seating himself in the midst of his thronging vassals, graciously proceeded, much like a University Extension lecturer, to read aloud, with simple explanations, the news of the day. Such is the final form of noblesse oblige in the feudal valley of Santillana.

We were tempted to hunt out other nooks and eyries in the mountains of Santander, to see something of the famous sardine fisheries, to drive along the many-storied coast all the way to Gijon, paying our respects in passing to a noble oak of Asturias, one of the three largest trees of Europe; but always the uplifted sword of St. James drove us on. If we would reach Compostela in season for the annual fiesta de Santiago, there was no time to lose. So, in default of a nearer railway connection, we started due south for Palencia. Our route ran at first through a land of hills, maize, and stone walls that might have been New England, except for the women scratching away in the hay-fields, and politely saluting the train with a flourish of their pitchforks.

Then more and more the landscape became Spanish. Little stone hamlets dozed in ever shallower valleys, mule trains and solitary horsemen moved slowly down poplar-bordered highways, white as chalk; there was a slumbering peasant for every speck of shade. But while the men took their siestas, often sleeping where the drowsiness had befallen them, with arm thrown about the wooden plough or with head pillowed on the thrashing roller, there were always women at work—figures clad in the very colors of the harvest, red and gold and purple, binding sheaves, sweeping the fields with stout brush brooms, tending flocks and herds by the rivers, following stray sheep over the hills, with only a handkerchief at the most to protect their heads from the terrible noonday sun. As the afternoon wore on, we found ourselves in the melancholy reaches of brown Castilian plain, with the adobe towns, the miserable mud villages, open-air threshing floors, and arid, silent, Oriental look.

Toledo

The only cloud in sight was that which rested for a moment on my comrade's face. She had so newly come from our clean and wholesome fatherland that certain features of the Spanish inns still shook her high serenity of soul, and she had suddenly discovered that Baedeker significantly characterized the Palencia hotel as "an indifferent Spanish house." In the discreet language of our excellent guidebook this was no less than a note of warning, a signal of alarm. But even Baedeker is fallible, and on arriving at the Gran Hotel Continental, we were met by all the Castilian dignity and grave kindliness of greeting, and led to rooms whose floors shone with oil and scrubbing, whose curtains, towels, and sheeting were white as mountain snow, and whose furnishings were resplendent with two dozen chairs upholstered in orange satin. We seated ourselves in rapture on one saffron throne after another, drank fresh milk from polished glasses, and slept, for this only night of all our Santiago pilgrimage, the sleep of the unbitten. A sweet-voiced sereno intoning the hours set our dreams to music.

The following morning we spent in the cathedral, which, though of plain exterior, except for the many-imaged "Door of the Bishop," is all lightness, grace, and symmetry within. The organ was pealing and women were kneeling for the mass as we went softly down the high-vaulted nave, our spirits played upon now by the dignity of pointed arches and of clustered columns and now by delicate beauties in tracery and carving. Only here and there were we aware of a jarring note, as in chancing upon a great crucifix whose Christ was decked out in two elegant lace petticoats and a white silk crinoline embroidered over with silver thread.

When the chant had died away, an affectionate old sacristan, in a curious red and black coat, delivered us with sundry farewell pats and pinches over to the charge of a subordinate, who proceeded to display the hidden treasures. These are far from overwhelming, after the glittering hoards of Burgos, Seville, and Toledo, but they are as odd an assortment as sacristy ever sheltered. There was an absurd portrait of Charles I, a freak of foreshortening. At first sight it seemed to be the skeleton of a fish, but on viewing it through a peephole the creature had become a human face. Even so, it was hardly a flattering likeness of the founder of the Austrian line; but as it was Charles I who stripped Palencia of her original powers and dignities, one would not expect to find him complimented here.

We turned our attention to the vestments, which, though few, are peculiarly artistic, with devices, stitched in gold thread and in jewel reds and greens, of pomegranates, roses, ecclesiastical coats of arms, angels, Maries, Nativities, and Adorations. These were appropriate enough, but even our reserved conductor, a monastic youth who wore a white, openwork tunic over his black suit, smiled disdainfully as he put before us a time-yellowed ivory box arabesqued with men and lions, the jewel casket of some pet sultana. "But why should it be here?" He shrugged his shoulders. "In truth, it is not holy—a woman's thing! Nor do I know how it came to us, but what we have we keep."