Spanish Highways and Byways

by Katharine Lee Bates

Whether this hardened pretender could cast the evil eye or not, we never knew, for having bought two of his pictures at the first onset, we suffered ever afterward the sunshine of his favor. In fact we often made a wide detour rather than pass him on the hill, for he would spring to his feet at our remotest approach and stand bowing like an image of perpetual motion, his hat brandished high in air, until our utmost in the way of answering nods and smiles seemed by contrast sheer democratic incivility.

The swarthy faces and glittering eyes of the gypsies meet one everywhere in the Granada streets, but to see them in their own precinct it is necessary to take off your watch, empty your pockets of all but small silver and coppers, and go to the Albaicín. This hill, parted from the Alhambra by the deep ravine of the gold-bearing Darro, was in Moorish times the chosen residence of the aristocracy. Still Arabian arches span the gorge, and many of the toppling old houses that lean over the swift, mountain-born current, shabby as they look to the passer-by, are beautiful within with arabesque and fretwork, carven niches, delicate columns and open patios, where fountains still gush and orange blossoms still shed fragrance. Such degenerate palaces are often occupied by the better class of gypsies, those who traffic in horses, as well as in donkeys, while their women, grouped in the courts and doorways, embroider with rainbow wools, in all fantastic patterns, the stout mantles of the Andalusian mountaineers.

As we climbed the Albaicín, fronting as it does the hill of the Alhambra, the exceeding beauty of the view at first claimed all our power of seeing. Below was the gray sweep of the city and beyond the fruitful plain of Granada, its vivid green shading into a far-off dimness like the sea. Just opposite us rose the fortress of the Alhambra, a proud though broken girdle of walls and towers, while in the background soared the dazzling snow peaks of the Sierra Nevada, glistening with unbearable splendor under the intense blue of the Andalusian sky.

In the midst of our rhapsodies I became aware of a shrill voice at my feet, a persistent tug at my skirts, and reluctantly dropped my eyes on a comely little gypsy lass lying along a sunny ledge and imperiously demanding cinco centimos.

"Now what would you do with cinco centimos if you had them?"

With the universal beggar gesture she pointed to her mouth. "Buy a rusk. I am starving. I am already dead of hunger."

Crossing her hands upon her breast, she closed her eyes in token of her mortal extremity, but instantly flashed them open again to note the effect.

"Your cheeks are not the cheeks of famine."

At a breath the young sorceress sucked them in and succeeded, plump little person though she was, in looking so haggard and so woe-begone that our political economy broke down in laughter, and we gave her the coveted cent in return for her transformation act.

Off she darted, with her wild locks flying in the wind, and was back in a twinkling, a circlet of bread suspended from her arm. She tripped along beside us for the rest of the afternoon, using the rusk sometimes as a hoop, sometimes as a crown, sometimes as a peephole. She tossed it, sang through it, dandled it, stroked it, and occasionally, while the bread approximated more and more in hue to her own gypsy complexion, took an artistic nibble, dotting the surface with a symmetrical curve of bites. It was not mere food to her; it was luxury, it was mirth—like a Lord Mayor's feast or a Delmonico breakfast.