"Momma" had not spoken. Her face was all one even tone of red, her nostrils opened and shut, her lips were tight. Sylvester, however, was in a genial humor. He leaned forward with his arms folded along the back of the front seat and pointed out the beauties of Millings. He showed Sheila the Garage, the Post-Office, and the Trading Company, and suddenly pressing her shoulder with his hand, he cracked out sharply:
"There's The Aura, girl!"
His eyes were again those of the artist and the visionary. They glowed.
Sheila turned her head. They were passing the double door of the saloon and went slowly along the front of the hotel.
It stood on that corner where the main business street intersects with the Best Residence Street. Its main entrance opened into the flattened corner of the building where the roof rose to a fantastic façade. For the rest, the hotel was of yellowish-brick, half-surrounded by a wooden porch where at milder seasons of the year in deep wicker chairs men and women were always rocking with the air of people engaged in serious and not unimportant work. At such friendlier seasons, too, by the curb was always a weary-looking Ford car from which grotesquely arrayed "travelers" from near-by towns and cities were descending covered with alkali dust—faces, chiffon veils, spotted silk dresses, high white kid boots, dangling purses and all, their men dust-powdered to a wrinkled sameness of aspect. At this time of the year the porch was deserted, and the only car in sight was Hudson's own, which wriggled and slipped its way courageously along the rutted, dirty snow.
Around the corner next to the hotel stood Hudson's home. It was a large house of tortured architecture, cupolas and twisted supports and strange, overlapping scallops of wood, painted wavy green, pinkish red and yellow. Its windows were of every size and shape and appeared in unreasonable, impossible places—opening enormous mouths on tiny balconies with twisted posts and scalloped railings, like embroidery patterns, one on top of the other up to a final absurdity of a bird cage which found room for itself between two cupolas under the roof.
Up the steps of the porch Mrs. Hudson mounted grimly, followed by Babe. Sylvester stayed to tinker with the car, and Sheila, after a doubtful, tremulous moment, went slowly up the icy path after the two women.
She stumbled a little on the lowest step and, in recovering herself, she happened to turn her head. And so, between two slender aspen trees that grew side by side like white, captive nymphs in Hudson's yard, she saw a mountain-top. The sun had set. There was a crystal, turquoise translucency behind the exquisite snowy peak, which seemed to stand there facing God, forgetful of the world behind it, remote and reverent and most serene in the light of His glory. And just above where the turquoise faded to pure pale green, a big white star trembled. Sheila's heart stopped in her breast. She stood on the step and drew breath, throwing back her veil. A flush crept up into her face. She felt that she had been traveling all her life toward her meeting with this mountain and this star. She felt radiant and comforted.
"How beautiful!" she whispered.
Sylvester had joined her.