“Can you see the flat, the cabin?”
“The flat, yes—a round green spot, way down there behind us. The cabin? No. That’s in a hollow, you may be sure, well out of sight. I’m an outlaw, dearest, remember. There’s a curve of the river, like a silver elbow. And Sylvie, up above us, an eagle is turning and turning in a huge circle. He thinks he’s king. But, Sylvie, it’s our world—yours and mine. This is our marriage.”
She drew back. “What do you mean?”
“Haven’t you a feeling for such images? We’ll go before a parson—don’t be afraid. Would I frighten you, Sylvie? I love you too much for that. Why, Sylvie, what’s wrong?”
When his lips, clinging and compelling, had left hers, she bent her face to his arm and began to cry.
“Oh, I don’t know. I don’t know.... But please don’t kiss me like that, not like that!”
He released her and half turned, but her hands instantly hunted for him, found him and clung.
“Hugh, don’t be angry. Be patient with me. Try to understand. Perhaps it’s because I am in the dark. I do love you. I do. But you must wait. Soon it will be spring for me, too. You don’t understand? You’re angry? But I can’t explain it any better.”
“You can lay your hand on me,” he said hoarsely. “God knows I’m real enough.” And he thought so! “My love for you is here like a granite block, Sylvie.”
“I know. It is the one thing in the darkness that is real. I know you—your love, splendid and strong and brave. Wait just a little, Hugh. Try to be patient. Suddenly it will all come right. The fog will lift. Then we’ll really be on top of the mountain.” She laughed, but rather sadly.