"Who's there?" Charley cried sharply.
He threw a blanket over the box on the bed and started to the door.
Michael moved round the corner of the house. He heard Potch call sleepily:
"That you?"
Charley growled;
"Oh, go to sleep, can't you? Aren't you asleep yet?"
Potch murmured, and there was silence again.
Michael heard Charley go to the door, look out along the road, and turn back into the hut. Then Michael moved along the wall to the window.
Charley was taking down some clothes hanging from nails along the inner wall. He changed from the clothes he had on into them, picked up his hat, lying where he had thrown it on the floor beside the bed when he came in, rolled it up, straightened the brim and dinged the crown to his liking. Then he picked up the packet of opal, put it in his coat pocket, and went into the other room. Michael followed to the window which gave on it. He saw Charley glance at the sofa as though he were contemplating a stretch, but, thinking better of it, he settled into an easy, bag-bottomed old chair by the table, pulled a newspaper to him, and began to read by the guttering light of his candle.
Michael guessed why Charley had dressed, and why he had chosen to sit and read rather than go to sleep. It was nearly morning, the first chill of dawn in the air. The coach left at seven o'clock, and Charley meant to catch the coach. He had no intention of going to Warria. Michael began to get a bird's-eye view of the situation. He wondered whether Charley had ever intended going to Warria. He realised Charley would go off with the five pound note he had made him, Michael, get from Watty Frost, as well as with Paul's opals. He began, to see clearly what that would mean, too—Charley's getting away with Paul's opals. Paul would not be able to take Sophie away....