The Black Opal

by Katharine Susannah Prichard

Everybody knew Michael believed in Charley Heathfield. He had thought the worst that could be said of Charley was that he was a good-natured, rather shiftless fellow. All the men had responded to an odd attractive faculty Charley exercised occasionally. He had played it like a woman for Michael, and Michael had taken him on as a mate and worked with him when no one else would. And now, the men guessed, that Michael, who had done more than any of them to make the life of the Ridge what it was, would feel more deeply and bitterly than any of them that Charley had gone back on him and on what the Ridge stood for.

All they imagined Michael was suffering in the grief and bitterness of spirit which come of misplaced faith, he was suffering. But they could not imagine the other considerations which had overshadowed grief and bitterness, the realisation that Sophie's life had been saved from what looked like early wreckage, and the consciousness that the consequences of what Charley had done, had fallen, not on Charley, but on himself. Michael had lived like a child, with an open heart at the disposal of his mates always; and the sense of Charley's guilt descending on him, had created a subtle ostracism, a remote alienation from them.

He could not go to Newton's in the evening and talk things over with the men as he ordinarily would have. He wandered over the dumps of deserted rushes at the Old Town, his eyes on the ground or on the distant horizons. He could still only believe he had done the best thing possible under the circumstances. If he had let Charlie go away with the stones, Sophie would have been saved, but Paul would have lost his stones. As it was, Sophie was saved, and Paul had not lost his stones. And Michael could not have given Charley away. Charley had been his mate; they had worked together. The men might suspect, but they could not convict him of being what he was unless they knew what Michael knew. Charley had played on the affection, the simplicity of Michael's belief in him. He had used them, but Michael had still a lingering tenderness and sympathy for him. It was that which had made him put the one decent piece of opal he possessed into the parcel he had made up for Charley to take instead of Paul's stones. It was the first piece of good stuff he had found on the Ridge, and he had kept it as a mascot—something of a nest egg.

Michael wondered at the fate which had sent him along the track just when Charley had taken Paul's stones. He was perplexed and impatient of it. There would have been no complication, no conflict and turmoil if only he had gone along the track a little later, or a little earlier. But there was no altering what had happened. He had to bear the responsibility of it. He had to meet the men, encounter the eyes of his mates as he had never done before, with a reservation from them. If he could give the stones to Paul at once, Michael knew he would disembarass himself of any sense of guilt. But he could not do that. He was afraid if Paul got possession of the opals again he would want to go away and take Sophie with him.

Michael thought of taking Watty and George into his confidence, but to do so would necessitate explanations—explanations which involved talking of the promise he had made Sophie's mother and all that lay behind their relationship. He shrank from allowing even the sympathetic eyes of George and Watty to rest on what for him was wrapped in mystery and inexplicable reverence. Besides, they both had wives, and Watty was not permitted to know anything Mrs. Watty did not worm out of him sooner or later. Michael decided that if he could not keep his own confidence he could not expect anyone else to keep it. He must take the responsibility of what he had done, and of maintaining his position in respect to the opals until Sophie was older—old enough to do as she wished with her life.

As he walked, gazing ahead, a hut formed itself out of the distance before him, and then the dark shapes of bark huts huddled against the white cliff of dumps at the Three Mile, under a starry sky. A glow came from the interior of one or two of the houses. A chime of laughter, and shredded fragments of talking drifted along in the clear air. Michael felt strangely alone and outcast, hearing them and knowing that he could not respond to their invitation.

In any one of those huts a place would be eagerly made for him if he went into it; eyes would lighten with a smile; warm, kindly greetings would go to his heart. But the talk would all be of the stealing of Rouminof's opal, and of Charley and Jun, Michael knew. The people at the Three Mile would have seen the coach pass. They would be talking about it, about himself, and the girls who had driven away with Charley and Jun.

Turning back, Michael walked again across the flat country towards the Ridge. He sat for a while on a log near the tank paddock. A drugging weariness permeated his body and brain, though his brain ticked ceaselessly. Now and again one or other of Rouminof's opals flashed and scintillated before him in the darkness, or moved off in starry flight before his tired gaze. He was vaguely disturbed by the vision of them.

When he rose and went back towards the town, his feet dragged wearily. There was a strange lightness at the back of his head, and he wondered whether he were walking in the fields of heaven, and smiled to think of that. At least one good thing would come of it all, he told himself over and over again—Paul could not take Sophie away.

The houses and stores of the New Town were all in darkness when he passed along the main street. Newton's was closed. There were no lights in Rouminof's or Charley's huts as he went to his own door. Then a low cry caught his ear. He listened, and went to the back door of Charley's hut. The cry rose again with shuddering gasps for breath. Michael stood in the doorway, listening. The sound came from the window. He went towards it, and found Potch lying there on the bunk with his face to the wall.