Robert Molyneux's struggle was over. Eva's face was gone now altogether. He only felt a mad joy in yielding, and a wild desire for the minutes to pass till he had traversed that gray road back. The coachman drove hard and his horses were flecked with foam, but from the windows Robert Molyneux kept continually urging him, offering him greater and greater rewards for his doing the journey with all speed.
Half way up the cypress avenue to his friend's house a woman with a shawl about her head glided from the shadow and signalled to the darkly flushed face at the carriage window. Robert Molyneux shouted to the man to stop. He sprang from the carriage and lifted the woman in. Then he flung the coachman a handful of gold and silver. 'To Rossatorc,' he said, and the man turned round and once more whipped up his tired horses. The woman laughed as Robert Molyneux caught her in his arms. It was the fierce laughter of the lost. 'I came to meet you,' she said, 'because I knew you must come.'
From that day, when Robert Molyneux led the woman over the threshold of his house, he was seen no more in the usual places of his fellow-men. He refused to see any one who came. His wedding-day passed by. Lord Dunlough had ridden furiously to have an explanation with the fellow and to horsewhip him when that was done, but he found the great door of Rossatorc closed in his face. Every one knew Robert Molyneux was living in shame with Mauryeen Holion. Lady Eva grew pale and paler, and drooped and withered in sorrow and shame, and presently her father took her away, and their house was left to servants. Burly neighbouring squires rode up and knocked with their riding-whips at Rossatorc door to remonstrate with Robert Molyneux, for his father's sake or for his own, but met no answer. All the servants were gone except a furtive-eyed French valet and a woman he called his wife, and these were troubled with no notions of respectability. After a time people gave up trying to interfere. The place got a bad name. The gardens were neglected and the house was half in ruins. No one ever saw Mauryeen Holion's face except it might be at a high window of the castle, when some belated huntsman taking a short-cut across the park would catch a glimpse of a wild face framed in black hair at an upper window, the flare of the winter sunset lighting it up, it might be, as with a radiance from hell. Sir Robert drank, they said, and rack-rented his people far worse than in the old days. He had put his business in the hands of a disreputable attorney from a neighbouring town, and if the rent was not paid to the day the roof was torn off the cabin, and the people flung out into the ditch to rot.
So the years went, and folk ever looked for a judgment of God on the pair. And when many years were over, there came to Father Hugh, wringing her hands, the wife of the Frenchman, with word that the two were dying, and she dared not let them die in their sins.
But Mauryeen Holion, Dark Mauryeen, as they called her, would not to her last breath yield up the death-spancel which she had knotted round her waist, and which held Robert Molyneux's love to her. When the wicked breath was out of her body they cut it away, and it lay twisted on the ground like a dead snake. Then on Robert Molyneux, dying in a distant chamber, came a strange peace. All the years of sin seemed blotted out, and he was full of a simple repentance such as he had felt long ago when kneeling by the gown of the good woman whom he had loved. So Father Hugh absolved him before he died, and went hither and thither through the great empty rooms shaking his holy water, and reading from his Latin book.
And lest any in that place, where they have fiery southern blood in their veins, should so wickedly use philtres or charms, he hung the death-spancel in Aughagree Chapel for a terrible reminder.