Dick Richards is a small, smiling, curly-headed man who looks older than he should. This is because he wears a big man's mustache and is a self-made boy. His parents died when he was barely old enough to realize his loss and since then he has fought the world without a single weapon unless cheerfulness and a giant patience can be called weapons. Small, ungifted, he early learned to be content with little. But side by side with this cheerful content is always the giant hope of great things to come. And so though Green Valley buys only its yeast and buns over his little counter he is happy and wraps each purchase up carefully. And all the time he is thoughtfully, carefully setting out other handy things and aids to the harassed housewife. For with his giant patience Dick is waiting,—waiting and planning for a time that is coming, that he knows must come. He talks these matters over with no one except Joe Baldwin. He and Joe are great friends. Joe's little shop is such a restful, hopeful place and Joe himself a gentle rather than a loud and swearing man. One can talk things over joyfully with Joe and feel sure of having one's confidence understood and kept. Like Joe, Dick shrinks a little from the noisy, wholly earthy atmosphere of the livery barn and blacksmith shop. He and Joe often go together of a Saturday to the barber shop. They usually stay after closing hours for the barber is their mutual friend.

This barber, John Gans, is a talker, a somewhat fierce and vehement little man who lectures on many subjects but mostly on human rights and politics. Joe and Dick, both silent men, look with awe at John's great mental and discoursive powers. And because his views are theirs they listen with something like joyful gratitude to hear their own thoughts so clearly and fearlessly expressed.

The fiery little barber is thought by some to be a German anarchist and by others a Russian socialist. Joe and Dick have been repeatedly warned against him. But they are his loyal friends at all times. This three-cornered friendship is little understood by the town and ridiculed as a childish thing by the great minds that foregather at Uncle Tony's.

But Grandma Wentworth remarked one Saturday afternoon, right in the heart of town too, when Main Street was so crowded that everything that was said aloud would be told and retold at church the next moraine and repeated through the countryside the week following,—pointing to Joe, Dick and John who all three happened to be going to the bank for change,—"There go Green Valley's three good little men. And that makes me think. I have another letter from Nanny Ainslee from Italy enclosing foreign stamps for John."

Now until then nobody knew that John Gans was collecting stamps. But that's Grandma Wentworth. She always knows things about people that nobody else knows. And when any Green Valley folks go a-traveling they sooner or later write to Grandma Wentworth. Sooner or later they get homesick for Green Valley and they write for news to the one person who, they know, will not fail to answer.

Of course some of them, like Jamie Danby, get into trouble. Jamie ran away from home with a third-rate show. The show got stranded somewhere in the western desert and Jamie wanted to come home. He knew that his mother would be glad to see him but he wasn't at all sure of his father. So he wrote to Grandma Wentworth, begging her to fix things up. And she did.

And there was Tommy Dudley who went away home-steading somewhere out West and who writes regularly to Grandma Wentworth in this fashion:

". . . for heaven's sake send me your baking-powder biscuit recipe and how do you make buckwheat pancakes, and send me all kinds of vegetable seeds and what's good for chicken lice and a sore throat, and tell Carrie Bailey I ain't forgot her and that as soon as I've got things going half-way straight here I'll come back and get her. Just now the dog, the mules and chickens and a family of mice and I are all living peacefully together in the one room but we're awful healthy if a good appetite is any kind of a sign. I can't write to Carrie because her folks open all her letters and they'd nag her into marrying that old knock-kneed, squint-eyed, fat-necked son-of-a-gun of an Andrew Langly, if they thought she was having anything to do with a worthless heathen cuss like me. And say, Grandma, throw in some of your flower seeds, those right out of your own garden, you know, the tall ones along the fence and the little ones with the blue eyes and the still white ones that smell so sweet. You don't know how lonesome I get off here. I've got that picture of you in the sunbonnet right where it's handy, but how I wish I had a picture of you without the sunbonnet so's I could see your face, and say, Grandma, since I've been alone out here I've come to see the sense in praying now and then, and tell Freddy Williams I'll knock the stuffin's out of him when I hit town which will be in about two years at the latest. He knows what for. Is Hank Lolly still talking his way into three square meals a day and drinks, and is all the news still ground over at Uncle Tony's gossip factory and is Mert Hagley as big a tightwad as ever and is it true that Billy Evans married a red-headed girl from Bloomingdale and started a livery barn, and has Green Valley got a minister yet that's suitable to you and Uncle Roger Allan? I'll have to stop and run out to the mail box with this. The nearest one is twenty-five miles away but that's near in this country and now for pity's sake, Grandma, don't forget …"

She didn't forget a thing. The messages were all delivered, the seeds sent off and every question fully answered. Grandma did more than that. She had Nanny Ainslee take pictures of the various Green Valley institutions while going full blast. How Tommy laughed at the familiar faces in Uncle Tony's armchairs and at Hank Lolly leaning up against the livery barn, and how homesick he grew as he looked at the crowd getting off at the station, and the school children playing in the old school yard where he used to play. The picture of Grandma Wentworth and Carrie standing on Grandma's front porch hurt his throat and shook him strangely. That was Tommy Dudley.

And there was Susie Melton. Grandma saved and remade Susie that time she went to New York to see the world. Susie had taught a country school for twenty years, ever since she was sixteen, and that trip to New York was her first vacation. Susie was an innocent soul and the very second day in the great city some heartless thief took everything out of her purse but a two-cent stamp. Susie was panic-stricken and the only thing she could think of was Grandma Wentworth's face. So she took that stamp and sent a letter to Green Valley and it was Grandma Wentworth who really managed that vacation though to this day nobody but she herself knows how and she won't tell. Susie came back so rejuvenated, with such color in her cheeks, such brightness in her eyes, and so much snap and spunk in her system that Jake Tuttle up and married her two months after she came home. And he's been happy ever since for in spite of her school-teaching handicap Susie has turned out to be a born cook and housewife. And as if to make up to her those twenty colorless years Providence sent Susie twin boys at the end of her first year and twin girls at the end of the third.