Grandma Wentworth sighed a little as she thought of John Foster. Then she put fresh wood on her fire and poked at the stove grate till it glowed. She smiled as she remembered Fanny's report.

"Well, spring is here for certain. Now we'll have a wedding and some new babies. They always come next."

Then sitting there beside her glowing stove Grandma fell to dreaming of Green Valley and the Green Valley folks of other days, Green Valley as it used to be in the springs of long ago. Of the days when Roger Allan was a young, strength-mad fellow and Richard Wentworth was his chum and her lover. And she remembered too how right Sadie Dundry was. For Uncle Tony, in the springs of long ago, had loved the girl who was now Mrs. Jerry Dustin.

They were such wander-mad dreamers, Tony and Rosalie, and exactly alike in those days. They used to go together to watch an occasional picnic train or election special go through the station, and they thought because they were so exactly alike they would most surely marry. But life, that wisely and for posterity's sake mates not the like but the unlike, brought Jerry Dustin on the scene,—good, practical, stay-at-home Jerry Dustin. And the girl who used to sit with Tony on the station bench and watch the trains pull out into the wide big world left her childhood friend sitting alone and went to Jerry, answered his smile and call.

So Tony sits alone, for he still visits the station on sunny afternoons. But now he doesn't sit on the bench but perches on the top rail of the fence and curls his toes about the lower one.

Bernard Rollins caught him sitting so once, day-dreaming over the past. It was Tony's face as Rollins saw it then,—full of a young, boyish wistfulness and sweet pain, unmarred dreams and unstained, unbroken illusions,—that Rollins wanted to paint. Rollins knew that Mrs. Dustin was a great friend of Tony's and that she would be the best person to coax a consent from the shy, gentle old man.

Life, mused Grandma, was a matter full of sweet and incomprehensible things,—things that now, after long years when the stories were almost finished, seemed right and just enough but that at the time were cruel and hard to bear. There was Roger Allan and that lonely stone in the peaceful cemetery. It still seemed a cruel tragedy. Like Mrs. Jerry Dustin she wondered often about it.

The soft spring night was full of memories and the wood fire sang of them sadly, sweetly and softly. Grandma rose and mentally shook herself.

"I declare, I believe I'm lonely or getting old or something," Grandma chided herself; "here I am poking at the bygone years like an old maid with the heartache and here's the whole world terribly alive and needing attention. And here's Cynthia's boy back from India, and a real Green Valley kind of minister, I do believe; a straightforward chap to tell us of life, its miracles and mysteries; of God and eternity as he honestly thinks, but mostly of love and the little happy ways of earthly living. A man who won't be always dividing us into sheep and goats but will show us the sheep and the goat in ourselves. This is a queer old town and it almost seems as if a minister wouldn't hardly have to know so much about heaven as about fighting neighbors and chickens, gossiping folks like Fanny and drunken ones like Jim Tumley. Well, maybe,—"

But just then she looked up and found David Allan laughing at her from the doorway.