"Then be polite to him. And now go, like a good child. Don't ask any more questions. Don't say anything. Let me see you when you're dressed, and I'll give you a letter for Walter. I'm afraid I can't dine with you; I'll just have something sent in here." Then, as if in sudden remorse, she put her arms about Nance's neck and drew her close to her.
"Darling, forgive me, if I seem impossible!"
At half-past eight Nance left the house, having shown herself to her sister, made a last loving inquiry as to her health, and taken possession of the note for Gore.
As she passed out of the bedroom, Clodagh threw off the fur rug that lay across her feet, and sat up with an expression of sharp attention. As the sound of the closing hall door reached her ears, she drew a little breath of excitement and rose from the couch with no appearance of her recent indisposition.
Without calling in Simonetta, she changed from the white silk wrapper she was wearing into a black walking-dress, and crossing to one of the wardrobes took out a black hat and veil.
She scarcely looked at herself, as she smoothed her hair and fastened on her hat. Beneath the enforced repression of the afternoon, there burned in her mind a certain sense of adventure—of enterprise—that turned her hot and cold. For though the Irish nature may procrastinate, it takes action with a very keen zest when once circumstance has compelled a decisive step.
Having finished her dressing, she picked up a pair of gloves, switched off the electric light, and left the room. In the corridor outside she met one of the maids; but without giving the woman time to show any surprise, she made haste to offer an explanation.
"I have forgotten to tell Miss Asshlin something of importance," she said. "I shall have to drive to the theatre and see her. Please ring for the lift. The porter will find me a cab." And without waiting to observe the effect of the somewhat disjointed statement, she passed to the hall door.
A few minutes later the hall porter had put her into a hansom, telling the cabman to drive to the Apollo Theatre.
While the cab doors were being closed, and the order given, Clodagh sat very still; and for a few minutes after they had started, she lay back in her seat, watching the familiar succession of lights and trees and indistinct massed faces that form the nightly picture between Knightsbridge and Piccadilly; but at last, as Hyde Park Corner loomed into view, she sat upright, and raising her hand, shook the roof trap.