"Where are you?" called the alien spaceship. "Hurry, please! We're sinking!"
The decoder slowed his tumbled, frightened words and looked up into the Times' face for understanding. "We'll rescue them," he said quietly. "You were right about the time factor, right about them moving at a different speed. I misunderstood. This business about squawk coding, speeding for better transmission to counteract beam waver—I was wrong."
"What do you mean?"
"They don't speed up their broadcasts."
"They don't—?"
Suddenly, in his mind's eye, the Times began to see again the play he had just seen—but the actors were moving at blurring speed, the words jerking out in a fluting, dizzying stream, thoughts and decisions passing with unfollowable rapidity, rippling faces in a twisting blur of expressions, doors slamming wildly, shatteringly, as the actors leaped in and out of rooms.
No—faster, faster—he wasn't visualizing it as rapidly as it was, an hour of talk and action in one almost instantaneous "squawk," a narrow peak of "noise" interfering with a single word in an Earth broadcast! Faster—faster—it was impossible. Matter could not stand such stress—inertia—momentum—abrupt weight.
It was insane. "Why?" he asked. "How?"
Nathen laughed again harshly, reaching for the mike. "Get them out? There isn't a lake or river within hundreds of miles from here!"