“Yes.” It began to play in her mind as she spoke.
“Do you ever play it now?”
“No, I’ve no piano.”
He was amazed at that. “But what has become of your beautiful piano?”
She made a little grimace. “Sold. Ages ago.”
“But you were so fond of music,” he wondered.
“I’ve no time for it now,” said she.
He let it go at that. “That river life,” he went on, “is something quite special. After a day or two you cannot realize that you have ever known another. And it is not necessary to know the language—the life of the boat creates a bond between you and the people that’s more than sufficient. You eat with them, pass the day with them, and in the evening there is that endless singing.”
She shivered, hearing the boatman’s song break out again loud and tragic, and seeing the boat floating on the darkening river with melancholy trees on either side. . . . “Yes, I should like that,” said she, stroking her muff.
“You’d like almost everything about Russian life,” he said warmly. “It’s so informal, so impulsive, so free without question. And then the peasants are so splendid. They are such human beings—yes, that is it. Even the man who drives your carriage has—has some real part in what is happening. I remember the evening a party of us, two friends of mine and the wife of one of them, went for a picnic by the Black Sea. We took supper and champagne and ate and drank on the grass. And while we were eating the coachman came up. ‘Have a dill pickle,’ he said. He wanted to share with us. That seemed to me so right, so—you know what I mean?”