“No. I’m coming,” and Beryl rushed in, very flushed, dragging with her two big pictures.
“Mother, whatever can I do with these awful hideous Chinese paintings that Chung Wah gave Stanley when he went bankrupt? It’s absurd to say that they are valuable, because they were hanging in Chung Wah’s fruit shop for months before. I can’t make out why Stanley wants them kept. I’m sure he thinks them just as hideous as we do, but it’s because of the frames,” she said spitefully. “I suppose he thinks the frames might fetch something some day or other.”
“Why don’t you hang them in the passage?” suggested Mrs. Fairfield; “they would not be much seen there.”
“I can’t. There is no room. I’ve hung all the photographs of his office there before and after building, and the signed photos of his business friends, and that awful enlargement of Isabel lying on the mat in her singlet.” Her angry glance swept the placid kitchen. “I know what I’ll do. I’ll hang them here. I will tell Stanley they got a little damp in the moving so I have put them in here for the time being.”
She dragged a chair forward, jumped on it, took a hammer and a big nail out of her pinafore pocket and banged away.
“There! That is enough! Hand me the picture, mother.”
“One moment, child.” Her mother was wiping over the carved ebony frame.
“Oh, mother, really you need not dust them. It would take years to dust all those little holes.” And she frowned at the top of her mother’s head and bit her lip with impatience. Mother’s deliberate way of doing things was simply maddening. It was old age, she supposed, loftily.
At last the two pictures were hung side by side. She jumped off the chair, stowing away the little hammer.
“They don’t look so bad there, do they?” said she. “And at any rate nobody need gaze at them except Pat and the servant girl—have I got a spider’s web on my face, mother? I’ve been poking into that cupboard under the stairs and now something keeps tickling my nose.”