Martie, the Unconquered

by Kathleen Thompson Norris

But even all this might not have accounted for the exclusive social instincts of the young ladies if both families had not been very rich. As it was, with prosperous fathers and ambitious mothers, with well-kept, old-fashioned homes, pews in church, allowances of so many hundred dollars a year, horses to ride and drive, and servants to wait upon them, the three daughters of these two prominent families considered themselves as obviously better than their neighbours, and bore themselves accordingly. Cyrus Frost and Graham Parker had come to California as young men, in the seventies; had cast in their lot with little Monroe, and had grown rich with the town. It was a credit to the state now; they had found it a mere handful of settlers' cabins, with one stately, absurd mansion standing out among them, in a plantation of young pepper and willow and locust and eucalyptus trees.

This was the home of Malcolm Monroe, turreted, mansarded, generously filled with the glass windows that had come in a sailing vessel around the Horn. Incongruous, pretentious, awkward, it might to a discerning eye have suggested its owner, who was then not more than thirty years old; a tall, silent, domineering man. He was reputed rich, and Miss Elizabeth—or "Lily"—Price, a pretty Eastern girl who visited the Frosts in the winter of 1878, was supposed to be doing very well for herself when she married him, and took her bustles and chignons, her blonde hair with its "French twist," and her scalloped, high-buttoned kid shoes to the mansion on North Main Street.

Now the town had grown to several hundred times its old size; schools, churches, post-office, shops, a box factory, a lumber yard, and a winery had come to Monroe. There was the Town Hall, a plain wooden building, and, at the shabby outskirts of South Main Street, a jail. The Interurban Trolley "looped" the town once every hour.

All these had helped to make Cyrus Frost and Graham Parker rich. They, like Malcolm Monroe, had married, and had built themselves homes. They had invested and re-invested their money; they had given their children advantages, according to their lights. Now, in their early fifties, they were a power in the town, and they felt for it a genuine affection and pride, a loyalty that was unquestioning and sincere. In the kindly Western fashion these two were now accorded titles; Cyrus, who had served in the Civil War, was "Colonel Frost," and to Graham, who had been a lawyer, was given the titular dignity of being "Judge Parker."

Malcolm Monroe kept pace with neither his old associates nor with the times. His investments were timid and conservative, his faith in the town that had been named for his father frequently wavered. He was in everything a reactionary, refusing to see that neither the sheep of the old Spanish settlers nor the gold of the early pioneers meant so much to this fragrant, sun-washed table land as did wheat and grapes and apple trees. Monroe came to laugh at "old Monroe's" pigheadedness. He fought the town on every question for improvements, as it came up. The bill for pavements, the bill for sewerage, the bill for street lights, the high school bill, found in him an enemy as the years went by. He denounced these innovations bitterly. When the level of Main Street was raised four feet, "old Monroe" almost went out of his senses, and the home site, gloomily shut in now by immense trees, and a whole block square, was left four feet below the street level, so that there must be built three or four wooden steps at all the gates. The Monroe girls resented this peculiarity of their home, but never said so to their father.

Rose Ransome, the pretty, neat little daughter of a pretty, neat little widow, was cultivated eagerly by the Monroes, and patronized kindly by the Frost and Parker girls. She had lived all of her twenty years in Monroe, and was too conscientious and amiable to snub the girls supposedly beneath her, and too merry, ladylike, and entertaining to be quite ignored by the richer group. So she brightly, obligingly, and gratefully lunched and drove, read and walked, and practised music with May and Ida and Florence, when they wanted her, and when they did not, or when Eastern friends visited them, or there was for some reason no empty seat in the surrey, she turned back to the company of Grace Hawkes and of Sally and Martie Monroe. Rose admitted frankly to her mother that with the latter group she had "more fun," but that with her more elevated friends she enjoyed, of course, "nicer times." Politically she steered a diplomatic middle course between the two, implying, with equal readiness, that she only associated with the poor Monroes because Uncle Ben made her, or that she accepted invitations from the Frost and Parker faction simply to be amiable.

Sally Monroe, innocent, simple, unexacting at twenty-one, really believed Rose to be the sweetly frank and artless person she seemed, but Martie, two years younger, had her times of absolutely detesting Rose. Sally was never jealous, but Martie burned with a fierce young jealousy of all life: of Rose, with her dainty frocks and her rich friends, her curly hair and her violin; of Florence Frost's riding horse; of Ida Parker's glib French; of her own brother, Leonard Monroe, with his male independence; of the bare-armed women who leaped on the big, flat-backed horses in the circus; of the very Portuguese children who rode home asleep of a summer afternoon, in fragrant loads of alfalfa.

To-day she was vaguely smarting at Grace's news: Grace was going to work. She, like the Monroe girls, had often discussed the possibilities of this step, but opportunities were not many, and the idle, pleasant years drifted by with no change. But Ellie Hawkes, Grace's big sister, who had kept books in the box factory for three years, was to be married now; a step down for Ellie—for her "friend" was only Terry Castle, a brawny, ignorant giant employed by the Express Company—but a step up for Grace. She would be a wage-earner; her pretty, weak face grew animated at the thought, and her shrill voice more shrill.

Martie Monroe had no real desire to work in the box factory, to walk daily the ugly half mile that lay between it and her home, to join the ranks of toilers that filed through the poorer region of town every morning. But like all growing young things she felt a desperate, undefined need. She could not know that self-expression is as necessary to natures like hers as breath is to young bodies. She could only grope and yearn and struggle in the darkness of her soul.

She was nineteen, a tall, strong girl, already fully developed, and handsome in a rather dull and heavy way. Her hands and feet were beautifully made, her hair, although neglected, of a wonderful silky bronze, and her skin naturally of the clear creamy type that sometimes accompanies such hair. But Martie ruined her skin by injudicious eating; she could not resist sweets; natural indolence, combined with the idle life she led, helped to make her too fat. Now and then, in the express office, in the afternoon, the girls got on the big freight scales, and this was always a mortification to Martie. Terry Castle and Joe Hawkes would laugh as they adjusted the weights, and Martie always tried to laugh, too, but she did not think it funny. Martie might have seemed to her world merely a sweet, big, good-natured tomboy, growing into an eager, amusing, ignorant young woman, too fond of sleeping and eating.