"Alanna, you're the pride of me life," said her mother, kissing her. "That's all now, dearie. Sit down and rest."
"Oh, but I'd rather go round and see things," said Alanna, and off she went.
The immense hall was filled with the noise of voices, hammers, and laughter. Groups of distracted women were forming and dissolving everywhere around chaotic masses of boards and bunting. Whenever a carpenter started for the door, or entered it, he was waylaid, bribed, and bullied by the frantic superintendents of the various booths. Messengers came and went, staggering under masses of evergreen, carrying screens, rope, suit-cases, baskets, boxes, Japanese lanterns, freezers, rugs, ladders, and tables.
Alanna found the stage fascinating. Lunch and dinner were to be served there, for the five days of the fair, and it had been set with many chairs and tables, fenced with ferns and bamboo. Alanna was charmed to arrange knives and forks, to unpack oily hams and sticky cakes, and great bowls of salad, and to store them neatly away in a green room.
The grand piano had been moved down to the floor. Now and then an audacious boy or two banged on it for the few moments that it took his mother's voice or hands to reach him. Little girls gently played The Carnival of Venice or Echoes of the Ball, with their scared eyes alert for reproof. And once two of the "big" Sodality girls came up, assured and laughing and dusty, and boldly performed one of their convent duets. Some of the tired women in the booths straightened up and clapped, and called "encore!"
Teresa was not one of these girls. Her instrument was the violin; moreover, she was busy and absorbed at the Children of Mary's booth, which by four o'clock began to blossom all over its white-draped pillars and tables with ribbons and embroidery and tissue paper, and cushions and aprons and collars, and all sorts of perfumed prettiness.
The two priests were constantly in evidence, their cassocks and hands showing unaccustomed dust.
And over all the confusion, Mrs. Costello shone supreme. Her brisk, big figure, with skirts turned back, and a blue apron still further protecting them, was everywhere at once; laughter and encouragement marked her path. She wore a paper of pins on the breast of her silk dress, she had a tack hammer thrust in her belt. In her apron pockets were string, and wire, and tacks. A big pair of scissors hung at her side, and a pencil was thrust through her smooth black hair. She advised and consulted and directed; even with the priests it was to be observed that her mild, "Well, Father, it seems to me," always won the day. She led the electricians a life of it; she became the terror of the carpenters' lives.
Where was the young lady that played the violin going to stay? Send her up to Mrs. Costello's.—Heavens! We were short a tablecloth! Oh, but Mrs. Costello had just sent Dan home for one.—How on earth could the Male Quartette from Tower Town find its way to the hall? Mrs. Costello had promised to tell Mr. C. to send a carriage for them.
She came up to the Children of Mary's booth about five o'clock.