Then she and Chris were on their way again, and the legitimate delights of being young and correctly dressed and dining with the great Mrs. von Behrens, and going to Grand Opera at the Metropolitan, might begin. Norma had perhaps never in her life been in such wild spirits as she was to-night. It was not happiness, exactly, not the happiness of a serene spirit and a quiet mind, for she was too nervous and too much excited to be really happy. But it was all wonderful.
She was the youngest person at the long dinner table, at which eighteen guests sat in such stately and such separated great carved chairs as almost to dine alone. Everyone was charmingly kind to the little Melrose protégée, who was to be introduced at a formal tea next week. The men were all older than Leslie's group and were neither afraid nor too selfishly wrapped up in their own narrow little circle to be polite. Norma had known grown young men, college graduates, and the sons of prominent families, who were too entirely conventional to be addressed without an introduction, or to turn to a strange girl's rescue if she spilled a cup of tea. But there was none of that sort of thing here.
To be sure, Annie's men were either married, divorced, or too old to be strictly eligible in the eyes of unsophisticated nineteen, but that did not keep them from serving delightfully as dinner partners. Then Aunt Annie herself was delightful to-night, and joined in the general, if unexpressed, flattery that Norma felt in the actual atmosphere.
"Heavens—do you hear that, Ella?" said Annie, to an intimate and contemporary, when Norma shyly asked if the dress was all as it should be—if the—well, the neck, wasn't just a little——? "Heavens!" said Mrs. von Behrens, roundly, "if I had your shoulders—if I were nineteen again!—you'd see something a good deal more sensational than that!"
This was not the sort of thing one repeated to Aunt Kate. It was, like much of Annie's conversation, so daring as to be a little shocking. But Annie had so much manner, such a pleasant, assured voice, that somehow Norma never found it censurable in her.
To-night, for the first time, Hendrick von Behrens paid her a little personal attention. Norma had always liked the big, blond, silent man, with his thinning fair hair, and his affection for his sons. It was of his sons that he spoke to her, as he came up to her to-night.
"There are two little boys up in the nursery that don't want to go to sleep until Cousin Norma comes up to say good-night," said Hendrick, smiling indulgently. Norma turned willingly from Chris and two or three other men and women; it was a privilege to be sufficiently at home in this magnificent place to follow her host up to the nursery upstairs, and be gingerly hugged by the little silk-pajamed boys.
Chris watched her go, the big fan and the blue eye and the delightful low voice all busy as she and Hendrick went away, and an odd thought came to him. That was her stepfather upon whom she was turning the battery of those lovely eyes; those little boys who were, he knew, jumping up and down in their little Dutch colonial beds, and calling "Norma—Norma—Norma!" were her half-brothers.
He glanced toward Annie; her beautiful figure wrapped in a sparkling robe that swept about her like a regal mantle, her fair hair scalloped like waves of carved gold, her fingers and throat and hair and ears sparkling with diamonds. Annie had on the famous Murison pearls, too, to-night; she was twisting them in her fingers as her creditable Italian delighted the ears of the Italian ambassador. Her own daughter to-night sat among her guests. Chris liked to think himself above surprise, but the strangeness of the situation was never absent a second from his thoughts. He drifted toward his hostess; he was proud of his own languages, and when Norma came back she came to stand wistfully beside them, wondering if ever—ever—ever—she would be able to do that!
It was all thrilling—exhilarating—wonderful! Norma's heart thumped delightfully as the big motor-cars turned into Broadway and took their place in the slowly moving line. She pressed her radiant face close to the window; snow was fluttering softly down in the darkness, and men were pushing it from the sidewalks, and shouting in the night. There was the usual fringe of onlookers in front of the opera house, and it required all Norma's self-control to seem quite naturally absorbed in getting herself safely out of the motor-car, and quite unconscious that her pretty ankles, and her pretty head, and the great bunched wrap, were not being generally appraised.