Herrick had perhaps slightly over-estimated her powers. He had never before come in contact with quite such an undeveloped mind. His own married life had been too short for him to grasp fully the characteristics of his wife, and although in some respects she had not been unlike Toni, she had been differently educated. Her mind had perhaps little depth, but she was quick and versatile; and owing to her surroundings she had been able, always, to adopt the shibboleth of the social set to which she belonged by right of birth.
So it was that Herrick, with all his sympathy, all his intuition, failed to plumb the shallows of Toni's mind. He gave her Rossetti when he should have given her Ella Wheeler Wilcox; and George Eliot when he should have introduced her to Jane Austen and her gentle sister, Miss Burney. The "Idylls of the King," clothed in Tennyson's poetic garments, would have won her interest—instead he advised her to read Malory, and read him she obediently did, until her brain ached with the clash of swords, and her eyes were wearied with the glitter of the dragons' scales or the silver mail of the knights who fought to the death for the damsels they served.
Knowing her love of outdoor life, he sent her to Borrow, but even "Lavengro" failed to charm the lonely student, to whom the sun, the moon, the stars were all "sweet things" indeed, when no printed page intervened between her and their sweetness.
It was weary work, toiling there day after day, while the river flashed and gleamed in the sunlight, and Jock ran barking hither and thither under the windows, as though imploring her to leave those musty haunts and come to chase the elusive yellow sunbeams on the lawn.
At first she had been used to take the big, high-backed chair at the head of the table, and spreading out her books, refuse to cast so much as a look at the sunny world without; but after four or five mornings so spent she gave in suddenly and betook herself to the little table in the window, where from her seat she could watch the tall white lilies swaying in the breeze, or catch the fragrance of the mauve and scarlet sweet-peas which climbed their hedge just out of sight.
It was weary work, and Toni's eyes and head ached when the luncheon-bell rang to set her free from her self-imposed task; but she did not give in, and after her hasty meal she would return to the library and struggle till tea-time with half a dozen French exercises, which by the aid of a key she sternly corrected when finished.
When Owen arrived home, shortly before dinner, Toni was worn out with the combined effects of her mental exertions and her lack of fresh air; but Owen, who was turning over in his mind the material for a novel, was not in a mood to notice her unwonted silence, and was relieved when, after dinner, she went early to bed and set him free to spend the evening in his sanctum, making notes and generally planning out the book he felt he could write.
To the novelist there comes, at the inception of a book, a period in which the things and people around him recede into the background before the people and things he seeks to create; and it is scarcely to be wondered at if at these times the writer's vision, which is turned, so to speak, inward, fails to realize the significance of the scenes being enacted beneath his mortal eyes.
And it was so with Owen. During that strenuous fortnight of Toni's laborious study, Owen was so fully occupied with the visions of his brain that he had little time to spare for the flesh and blood inmate of his home; and though he was always kind to Toni, he did not notice that the laughter was absent from her lips, the joyful light of happiness quenched in her eyes.
The idea of his book was beginning to absorb him very thoroughly. Hitherto he had never had the time to devote to purely imaginative work; but now that the Bridge was going ahead and his series of articles for outside papers was finished, he felt the call of fiction very strongly.