As a matter of fact, Toni was wondering inwardly what on earth it was all about. Her education, though sound so far as it went, had been thoroughly old-fashioned; and at this period of her development it is to be feared there were whole tracts of mind and brain left vacant—for Toni belonged, by adoption at least, to a class who read only for amusement and occupation, and are not in the least anxious to try their mental teeth on any abstract theories or philosophies of life. She was at present all for the concrete. Things seen and known were of importance, things unseen were alike uninteresting and incredible. The abstract virtues were all very well, but life was much too vivid and important to allow itself to be ousted by dreams and speculations.
Something of this Barry, who had an almost femininely swift intuition, guessed as he sat beside Toni on this first morning; but Toni was much too intent on her work to wonder what he thought of her; and by the time she had done a little typing, taken down a few letters, and read a short proof all by herself, it was one o'clock, and she was dismissed in search of lunch.
When she returned, nearly an hour later, she found Owen alone, studying a dummy copy of the review; and seeing she was interested, Owen handed it over for her to see.
"The Bridge." She quoted the title a little dubiously. "Is that what you call it? But—what does it mean?"
Taking it back into his own hands, Owen pointed with a pencil to the design on the cover.
"Here is the Bridge, you see, and this stream of people passing over it symbolize the present generation. This side of the bridge represents the past, from which the present comes; this, over the bridge, is the future, towards which the pilgrims are hastening. The idea is to bridge the gulf between past and future, between the old worlds and the new; and with that in mind we try, while never neglecting the storehouse of the past, to point to the future, with all its wonderful, and as yet unwon, rewards and discoveries."
She murmured a word or two, and he went on with a note of enthusiasm in his voice.
"Personally, I look to the future with confidence. Some people say the golden age of poetry, of music and letters generally, is past; but I don't agree. I think that there will be a fresh Renaissance presently, that there will be found fresh hands to pass on the sacred torch ... there's a flood of brilliant youth let loose in the world just now; and every bit of help the Bridge can give is at the service of that marvellous band."
He broke off suddenly, the light of the visionary gleaming in his eyes; but seeing, with a slight pang of disappointment, that his outburst was unintelligible to his hearer, he threw down the paper and laughed.
"There, Miss Gibbs, I have finished! Don't start me on the subject unless you're ready to be bored. Talk to Barry about it—he is able to look upon the Bridge quite sanely, as a means of providing bread and butter; but I'm afraid I'm a bit of a fanatic."