BIBLIOGRAPHY.

Books.

1.Apthorpe, W. F.Opera, Past and Present.
2.Dannrheuther, E.Wagner and Reform.
3.Edwards, H. S.Rossini and His School.
4.Gounod, Chas.Mozart's Don Giovanni.
5.Henderson, W. J.Some Forerunners of Opera.
6.Henderson, W. J.A Comment on Opera.
7.Krehbiel,A Book of the Opera.
8.Krehbiel,Studies of Wagnerian Drama.
9.MendelssohnStories of the Opera.
10.Newman, E.Gluck and the Opera.
11.Newman, E.Opera.
12.Sonneck, O. G.Early Opera in America.
13.Upton, Geo. P.The Standard Operas.
14.Victor Book of the Operas.
15.Introduction—American History and Encyclopedia.H. E. Krehbiel.
16.Groves Musical Dictionary.Pages 446, 454.
17.Moore Encyclopedia of Music.
18.Naaman Zwillingsbruder.Volume II.
19.Dictionary of Music.Rieman.
20.University Music Encyclopedia.
21.W. B. Matthews.History of Music.

Program Notes.

Chicago Grand Opera Company.
Boston Grand Opera Company.

Special Articles in the Programs.

1.Brennon, Algernon St. John.Translating Opera.
2.Haexter, Hermann H.,English Grand Opera in America.
3.Hackett, Karleton,(a) Madame Butterfly.
(b) Il Trovatore.
(c) Faust.
(d) Cleopatre.
(e) Thais.
(f) Thanhauser.
4.Oberdorfer, Anne Faukner,(a) Influence of Wagner.
(b) Reforms of Gluck.
(c) Monna Vanna.
(d) Louise.

Aid has been recieved from the following first hand sources.

I.Interview with Mr. C. C. Birchard of Boston.
II.Notes from class in Music II, Summer of 1916.
III.Lecture on Modern Music. Thos. Whitney Surrette.
IV.Attendance at the various operas for the past six seasons at Chicago.