Worlds of the Imperium

by Keith Laumer

I tried to remember my Swedish; trappan meant stair. The Goldsmith's Stairs, running from Master Samuelsgatan to Hundgatan, another tiny street. It seemed to lead to the lighted area near the palace; it looked like my only route out. I dropped the book back into my pocket and moved off casually toward the stairs of the Goldsmith. I hoped there was no gate across the entrance.

My shadow waited a moment, then followed. As I was ambling, I slowly gained a little on him. He seemed in no hurry at all. I passed more tiny shops, with iron-bound doors and worn stone sills, and then saw that the next doorway was an open arch with littered granite steps ascending abruptly. I paused idly, then turned in. Once past the portal, I bounded up the steps at top speed. Six leaps, eight, and I was at the top, darting to the left toward a deep doorway. There was just a chance I'd cleared the top of the stair before the dark man had reached the bottom. I stood and listened. I heard the scrape of shoes, then heavy breathing from the direction of the stairs a few feet away. I waited, breathing with my mouth wide open, trying not to pant audibly. After a moment the steps moved away. The proper move for my silent companion would be to cast about quickly for my hiding place, on the assumption that I had concealed myself close by. He would be back this way soon.

I risked a glance. He was moving quickly along, looking sharply about, with his back to me. I pulled off my shoes and without taking time to think about it, stepped out. I made it to the stairs in three paces, and faded out of sight as the man stopped to turn back. I leaped down three steps at a time; I was halfway down when my foot hit a loose stone, and I flew the rest of the way.

I hit the cobblestones shoulder first, and followed up with my head. I rolled over and scrambled to my feet, my head ringing. I clung to the wall by the foot of the steps as the pain started. Now I was getting mad. I heard the soft-shod feet coming down the stairs, and gathered myself to jump him as he came out. The footsteps hesitated just before the arch, then the dark round head with the uncut hair peeped out. I swung a haymaker—and missed.

He darted into the street and turned, fumbling in his overcoat. I assumed he was trying to get a gun, and aimed a kick at his mid-section. I had better luck this time; I connected solidly, and had the satisfaction of hearing him gasp in agony. I hoped he hurt as badly as I did. Whatever he was fumbling for came free then, and he backed away, holding the thing in his mouth.

"One-oh-nine, where in bloody blazes are you?" he said in a harsh voice, glaring at me. He had an odd accent. I realized the thing was some sort of microphone. "Come in, one-oh-nine, this job's going to pieces...." He backed away, talking, eyes on me. I leaned against the wall; I was hurt too badly to be very aggressive. There was no one else in sight. His soft shoes made whispering sounds on the paving stones. Mine lay in the middle of the street where I had dropped them when I fell.

Then there was a sound behind me. I whirled, and saw the narrow street almost blocked by a huge van. I let my breath out with a sigh of relief. Here was help.

Two men jumped down from the van, and without hesitation stepped up to me, took my arms and escorted me toward the rear of the van. They wore tight white uniforms, and said nothing.

"I'm all right," I said. "Grab that man." About that time I realized he was following along, talking excitedly to the man in white, and that the grip on my arms was more of a restraint than a support. I dug in my heels and tried to pull away. I remembered suddenly that the Stockholm police don't wear white uniforms.

I might as well not have bothered. One of them unclipped a thing like a tiny aerosol bomb from his belt and sprayed it into my face. I felt myself go limp.