—'I am to the point. It was only after these inquiries that, to use a diplomatic phrase, pourparler for negotiations began. Of course all the inquiries were done by some one else on behalf of the would-be bride or bridegroom. They would certainly be too delicate for a girl of, say, "sweet seventeen," to carry them out for herself. Don't you agree with me on that point?'

—'Life is short. Please don't spin out webs too long. But how do matters stand nowadays?'

—'Much the same,' I replied. 'But in our own days society gives much more facility for young people to see and know each other. And I may add that nowadays photos play a great part in the first stage of the inquiries. They say photos are for studying physiognomy in order to discern the character and intellectual capabilities, but I am afraid it is also to study the looks as well, or rather chiefly. Human nature is weak after all.'

—'Still spinning out.'

—'Oh no! I am only giving out the essence.'

—'Let us then proceed with the ceremony.'

—'Very well, the essential part of the ceremony consists in the bride and bridegroom partaking saké cups, as you know, but perhaps not exactly as your acquaintance did,' said I teasingly. 'The room wherein that part of the ceremony is performed is kept sacred for the occasion. The bridegroom is led to that room by the officiating person, and the bride by his wife. In our rooms there is a small part, a little elevated, called Toko-no-ma (alcove): it is the place of honour in the room, and it is there that the Kakemono (hanging picture or writing) is hung—sometimes a single one, sometimes a pair, or a series of three. We do not hang up pictures all over the walls like a picture exhibition; and it is also there that we arrange flowers and plants in vases. The Kakemono would be the chosen ones having some signification of felicity. There are many subjects for such purposes, for instance, the landscape of the mythological island of Mount Horai, where immortals are said to reside, or cranes and long hair-tailed mythical tortoises, or the three twin plants of pine, plum, and bamboo. All of these objects are popularly viewed as emblems of longevity. The flowers or plants arranged in the vase for the occasion would also be of the same nature.'

—'And you have a special art in the arrangement of flowers, I understand, not as we do in the West by simply putting bunches into the vase without any discrimination.'

—'Just so!' I answered, 'and there would be a Shimadai on Toko-no-ma.'

—'What's that?'