If two boys have learned the art of palming well, they may assist each other, and, if at all ingenious, invent a variety of tricks for an evening’s amusement.
The following is but a suggestion, which may be varied by different materials:
Let them borrow from the audience two tall silk hats, and place them upon chairs standing some distance from each other. Each having provided himself with a small rubber ball—the one resembling the other as nearly as possible—they are ready to proceed. The hats were of course empty when passed to the stage, but as the first boy takes his place, back of the chair which contains a hat, he should glance down into it, and with surprise, draw out a ball which he has had concealed in his right hand, show it to the audience and then pretend to put it in his left hand, but instead palm it in the right; at the same time extending his left toward his partner. The second boy stretches out his right arm as if to receive the ball, and at the moment his hand touches the fingers of No. 1, he lets that which he has been palming in his right hand slip down to his fingers, as if he had just received it from his friend. Now, pretending to change it to his left, he palms it, as No. 1 has done, and finally drops his left hand, which is supposed to hold the ball, into the hat in front of him, at the same time giving the side or crown a rap with one of his fingers, to imitate the falling of the ball. This same thing may be repeated indefinitely, until you have balls enough to stock the village. When you see the audience is beginning to tire, let No. 1 say, “My hat is empty; shall I help you count the balls in yours?” No. 2 nods assent, and looks down, as if expecting the hat to be full. He must then pretend great surprise, and taking up the hat must turn it upside down, gently shake it—remembering it is borrowed—and with the audience wonder what has become of all the balls.
Eggs, small lemons or oranges, little china dolls, and a number of small toys may be substituted for the rubber balls above given.
THE PERAMBULATING EGG.
This trick is one of the easiest, while at the same time one of the most pleasing, of the magician’s arts. In it an egg, apparently without any impulse beyond that which resides within itself, travels over a hat, and after reconnoitering it in its every nook and corner, passes gracefully over to another, and commences its journey of discovery around the second in much the same manner it has traversed the first.
Two hats are borrowed from the audience, and a dish of eggs is placed upon the table by their side, when the performer requests the lady stationed at the piano to give some music, and the exhibition commences. The egg which is used is merely a shell, the inside having been sucked or blown out through tiny holes made at either end. A slender silken thread is tied to the upper button of the performer’s waistcoat, while attached to the other end is a small piece of wax or other sticky substance. Just before the performance commences, show the dish of eggs, and then pass away from them and back of your audience, to show that they (the eggs) are in no way attached to your person.
As the music strikes up, walk to the table, take the shell from the dish, making it appear that you had no choice, but took the first one you chanced to touch, and place it inside the hat, at the same moment pressing the bit of wax to its side.
As the egg is in the hat it is necessary for it to pass out upon the outside surface. To do this the hat is slowly moved downward until the egg is even with the brim; then by careful management and a little practice, the effect is produced of the egg walking up the hat instead of the hat being lowered to the egg. You may now take the egg in your hand and, holding the hat with the crown upward in a horizontal position, place it beneath the egg, and turn it slowly away from yourself. The effect will be that the egg is traveling up hill. By placing the other hat close to the one upon which you are performing, and slowly drawing it under the egg, the latter will appear to pass over to the crown of the second hat, and very much the same movements may be repeated on this as on the first.