Alexis also mentions “all sorts of prose works” in the school library. The only one of these to which he gives a more definite name is a cookery-book by Simos. But that is only introduced for the sake of a joke; such a work would not, of course, figure in an Athenian school. Aesop may have been a prose work read in schools; it was considered the sign of an ignoramus “not to have thumbed Aesop,” or to be able to quote him.[262] Such moral works as Prodikos’ Choice of Herakles were probably popular in schools. The case of Lusis in Plato suggests that some of the old nature-philosophers may have been read. No doubt the school library varied according to the taste of the master, and his freedom of choice may have led to some curious selections. But on the whole prose works very rarely figured in the elementary schools, partly because they were usually too technical, still more because the artistic and literary sense of the Hellenes regarded poetry, if only because of its greater beauty and its imaginative value, as better for educational purposes than prose.
It must be remembered that when boys recited Homer or Aeschylus or Euripides, they acted them, delivering even the narrative with a great deal of gesture, and dramatising the speeches as fully as they could. The almost daily recitations of the rhapsodes, and the frequent dramatic performances in the theatres, gave them plenty of examples of the way to act. The Hellenes were extremely sensitive and sympathetic: they were a nation of actors. The rhapsode Ion tells Plato that, when he recited Homer, his eyes watered and his hair stood on end. This may give the modern reader some idea of what his repetition-lesson meant to a boy at Athens. More may be gathered from Plato’s vehement denunciations of dramatisation in poetry intended for use in schools; he believed that this continuous acting exerted an evil influence upon character. But this question will be discussed elsewhere.
The schoolrooms were used as the scene of lectures, to which grown-up men were invited; probably the lectures would be given to the boys at a different time. The wandering teacher, Hippias of Elis, meeting Sokrates one day, invited him to such a lecture, which, from its subject, was clearly meant mainly for the young.[263] After the fall of Troy, according to the story which Hippias invented for the occasion, Neoptolemos asked the wise old Nestor what was good and honourable conduct and what manner of life would cause a young man to win renown. Given this convenient opening, Nestor replied by suggesting many excellent rules of conduct. Hippias had delivered this lecture at Sparta, where it had won great applause. He now proposes, he says, “to deliver it the day after to-morrow in the schoolroom of Pheidostratos, and to impart much other valuable information at the same time, at the request of Eudikos son of Apemantos. Mind you come and bring any friends who will be capable of appreciating what I say.” No doubt it was a very excellent little sermon on the duties of life, closely analogous to Prodikos’ famous Choice of Herakles, and most improving for the pupils of Pheidostratos, if they were allowed to attend.
One charming picture of two Athenian school friends,[264] in their sleeveless tunics, is extant. “I saw you, Sokrates,” says a guest at a dinner-party, “when you and Kritoboulos at the School of Letters were both looking for something in the same book, putting your head against his, and your bare shoulder against his shoulder.”
It is also recorded that the Athenians were great hands at nicknames:[265] it may be inferred that this peculiarity extended also to their schoolboys.
A vivid picture of school life has recently come to light in the third Mime of Herondas. It belongs to the Alexandrian period in point of date, but many of its details will, no doubt, suit the Athenian schools just as well; it is, however, quite inconceivable that gags and fetters were used as punishments at Athens in the schools.
A mother, Metrotimé, brings her truant boy, Kottalos, to his schoolmaster Lampriskos to receive a flogging.
Metrotimé. Flog him, Lampriskos,[266]
Across the shoulders, till his wicked soul
Is all but out of him. He’s spent my all