It was resolved to open at South Kensington, in 1871, an "International Exhibition of the Fine Arts and of Industry;" to be the first of a series, each with some definite aim, and mainly confined to certain arts or industries, instead of forming a miscellaneous museum of all sorts of objects. As the Queen approved of this proposal, the opening of the Exhibition of 1871 was undertaken by the Prince of Wales on Her Majesty's behalf, and was made the occasion of an imposing State pageant. In the Court Circular of May 2nd, and in the journals of the same date, a full account is given of the ceremonies of the preceding day, with lists of the illustrious and notable persons present, and other details. The Prince made formal proclamation of the opening.
In all his labours in connection with various exhibitions, at home or abroad, the Prince has had most able lieutenants, such as Sir Philip Cunliffe Owen, K.C.B., but every detail of plan and of administration has been brought before his attention, and has received the sanction of his judgment and experience. It is no exaggeration to say that to his presidency was mainly due the success of the British Department of the great Paris Exhibition of 1878. This was testified in the address presented to the Prince by Earl Granville, signed by a thousand Englishmen who had witnessed the events of that memorable season in the Place de Trocadero.
ARTISTS' ORPHAN FUND.
May 7th, 1871.
For the relief of distressed artists, their widows and orphans, provision is made, as far as funds allow, by the Artists' Benevolent Institution, which was established in 1814. In course of time it was found that the amount available for the support and education of the orphans of artists was very insufficient, and a separate fund was established in 1866, under the auspices of the Council of the Artists' Benevolent Institution. From time to time donations were received, and in 1871 it was resolved to make a more public appeal. The Prince of Wales cheerfully agreed to preside at a dinner in aid of the fund, which took place on the 7th of May, 1871, in the Freemasons' Hall.
The Prince was supported by a large number of artists, and of patrons and lovers of art. The usual loyal toasts were given, and the presence of members of the well-known "artist corps" led the Prince to make special reference to the Volunteers.
In giving "The Army, Navy, Militia, and Volunteers," His Royal Highness said:—
"This is a toast which is never left out at all great public dinners. By some it has been called a formal toast, but in my opinion it should never be so styled. It is a toast which we ought to drink warmly and heartily. Of that which we owe to our army and navy I shall not speak to you at length, for this is not a fitting occasion; but I may say that we are bound to those services by a deep debt of gratitude, and let us hope that we shall always have reason to be as proud of them as we are at the present moment. We must, at the same time, never forget that there is something wanting. Our army is small; smaller than those of other countries; it ought, therefore to be better in comparison. As to the navy, though a great many changes have been made in our ships, though they have been converted from wooden walls into iron batteries, I think we may confidently anticipate that the fame which attaches to our old wooden walls will be transferred to our iron fleet whenever it is called upon to meet an enemy. The Militia, too, ought never to be omitted from this toast, for I look upon it as our great army of reserve, and desire to see it honoured; while as to the Volunteers, I would remark that I think we may congratulate ourselves on the circumstance that the movement, which has now existed for eleven or twelve years, shows no sign that it is slackening. I have the more confidence in asking you to respond to this portion of the toast, because I see around me many members of the Artists' Corps, which has always maintained a high position in the Volunteer force."