With tears in her eyes, and with the humblest grace imaginable, the lady answered—

“Sir, I acknowledge my offence to have been so great that all the woes that the lord of this house (for I am not worthy to call him husband) may be pleased to lay upon me are nothing in comparison with the grief I feel at having offended him.”

So saying, she began to weep bitterly. The gentleman took Bernage by the arm and led him away.

On the following morning Bernage took his leave, in order to proceed on the mission that the King had given him. However, in bidding the gentleman farewell, he could not refrain from saying to him—

“Sir, the love I bear you, and the honour and friendship that you have shown me in your house, constrain me to tell you that, having regard to the deep penitence of your unhappy wife, you should, in my opinion, take compassion upon her. You are, moreover, young and have no children, and it would be a great pity that so fair a lineage should come to an end, and that those who, perhaps, have no love for you, should become your heirs.”

The gentleman, who had resolved that he would never more speak to his wife, pondered a long time on the discourse held to him by the Lord de Bernage, and at last recognised that he had spoken truly, and promised him that, if his wife should continue in her present humility, he would at some time have pity upon her.

Accordingly Bernage departed on his mission, and when he had returned to his master, the King, he told him the whole story, which the Prince, upon inquiry, found to be true. And as Bernage among other things had made mention of the lady’s beauty, the King sent his painter, who was called John of Paris, (3) that he might make and bring him a living portrait of her, which, with her husband’s consent, he did. And when she had long done penance, the gentleman, in his desire to have offspring, and in the pity that he felt for his wife who had submitted to this penance with so much humility, took her back again and afterwards had by her many handsome children. (4)

3 John Perréal, called “Jehan de Paris,” was one of the
most famous painters of the reigns of Charles VIII. and
Louis XII. At the end of 1496 we find him resident at Lyons,
and there enjoying considerable celebrity. From October 1498
to November 1499 he figures in the roll of officers of the
royal household, as valet of the wardrobe, with a salary of
240 livres. In the royal stable accounts for 1508 he appears
as receiving ten livres to defray the expense of keeping a
horse during June and July that year. He is known to have
painted the portrait and planned the obsequies of Philibert
of Savoy in 1509; to have been sent to England in 1514 to
paint a portrait of the Princess Mary, sister of Henry
VIII., who married Louis XII.; and in 1515 to have had
charge of all the decorative work connected with Louis
XII.‘s obsequies. In his Légende des Vénitiens (1509) John
Le Maire de Belges praises Perréal’s skill both in landscape
and portrait painting, and describes him as a most
painstaking and hardworking artist. He had previously
referred to him in his Temple d’Honneur et de Vertu (1504)
as being already at that period painter to the King. In the
roll of the officers of Francis I.‘s household (1522)
Perréal’s name takes precedence of that of the better known
Jehannet Clouet, but it does not appear in that of 1529,
about which time he would appear to have died. Shortly
before that date he had designed some curious initial
letters for the famous Parisian printer and bookseller,
Tory. The Claud Perréal, “Lyonnese,” whom Clement Marot
commemorates in his 36th Rondeau would appear to have been
a relative, possibly the son, of “Jehan de Paris.”—See Léon
de La Borde’s Renaissance des Arts, vol. i., Pericaud
ainé’s Notice sur Jean de Paris, Lyons, 1858, and more
particularly E. M. Bancel’s Jehan Perréal dit Jean de
Paris, peintre et valet-de-chambre des rois Charles VIII.
Louis XII., &c
. Paris, Launette, 1884.—L. and M.
4 Brantôme refers to this tale, as an example of marital
cruelty, in his Vies des Dames Galantes, Lalanne’s
edition, vol. ix. p. 38.—L.

“If, ladies, all those whom a like adventure has befallen, were to drink out of similar vessels, I greatly fear that many a gilt cup would be turned into a death’s head. May God keep us from such a fortune, for if His goodness do not restrain us, there is none among us but might do even worse; but if we trust in Him He will protect those who confess that they are not able to protect themselves. Those who confide in their own strength are in great danger of being tempted so far as to be constrained to acknowledge their frailty. Many have stumbled through pride in this way, while those who were reputed less discreet have been saved with honour. The old proverb says truly, ‘Whatsoever God keeps is well kept.’”

“The punishment,” said Parlamente, “was in my opinion a most reasonable one, for, just as the offence was more than death, so ought the punishment to have been.”