Therefore, also, have the tiniest little churches been preserved. They lie scattered about in quite unlikely places; perched on steep hill-tops, hidden in wooded valleys, often reflecting their quaint silhouettes in rivers flowing at their base.

Seen from afar, tall fir-trees, planted like sentinels before their porches, are the sign-posts marking the sites where they stand. The churches behind are so diminutive that from a distance the trees alone are to be seen.

These fir-trees seemed to beckon to me, promising that I should find treasures hidden at their feet—they stand out darkly distinct in the landscape, for it is a region where the forests are of beeches, not of pines.

Often I wandered miles to reach them, over stony paths, over muddy ground, through turbulent little streams and endless inclines, and never was I disappointed; the dark sentinels never called me in vain. The most lovely little buildings have I discovered in these far-away places.

Some were all of wood, warm in colour, like newly baked brown bread, their enormous roofs giving them the appearance of giant mushrooms growing in fertile ground.

There is generally a belfry on the top, but with some the belfry stands by itself in front of the church, and is mostly deliciously quaint of shape.

Indescribable is the colour the old wood takes on. It is always in harmony with its background, with its surroundings; be it on a green meadow, or against dark pines, be it in spring-time half concealed behind apple-trees in full bloom, be it in autumn when the trees that enclose it are all golden and russet and red.

The wood is dark-brown, with grey lights that are sometimes silver. Green moss often pads the chinks between the beams, giving the whole a soft velvety appearance that satisfies the eye.

Within, these rustic sanctuaries are toy copies of larger models; everything is tiny, but disposed in the same way. In orthodox churches the altar is shut off from the rest of the building by a carved and painted screen that nearly touches the roof, and is generally crowned by an enormous cross. At the lower part of these separations are the pictures of the most venerated saints. There are three small doors in these screens; during part of the service these doors remain closed.

Women have no right to penetrate within the Holy of Holies behind the screen.