In order to explain the presence beside that tow-head of the queer craft on board which Winn had found shelter, and of its several occupants, who were making such kindly efforts to relieve his distress, it is necessary to take a twenty-year glance backward. At that time Aleck Fifield, a Yankee jack-of-all-trades, who had been by turns a school-teacher, sailor, mechanic, boat-builder, and several other things as well, found himself employed as stage-carpenter in a Boston theatre. He had always been possessed of artistic tastes, though they had never carried him beyond sign-painting, and of dramatic longings, which had thus far been satisfied with a diligent reading of Shakespeare and attending the theatre at every opportunity. Now, being regularly connected with the stage, both these tastes expanded, until through one of them he blossomed into a very passable scene-painter. Through the other he overwhelmed himself with despair, and convulsed an audience with laughter, by appearing once, and once only, as Captain Thomas Codringhampton in the popular sea drama of "Blue Billows." His failure as an actor was so dismal and complete as to be notorious. Unkind comparisons of other bad acting with that of Cap'n Cod became stock jokes in every theatre of the country. From that day the stage name clung to him; and though it galled at first, the passage of time soothed the wound, until finally Aleck Fifield became proud of the name. As he grew older, it represented to him the fame for which he had longed when young. When the war broke out and he became one of the bravest defenders of the Union, he was everywhere known as "Cap'n Cod." After the war, in which he managed to lose a leg, he went to Iowa to live with his only relative, a widowed niece, who had but one child, a little girl.
Between this child, Sabella, and the white-haired veteran, who could tell more tales than a fairy-book, and construct more toys than Santa Claus ever dreamed of, there sprang up an affection that could not have been stronger had they been father and daughter. On one side it was based upon boundless love and admiration, and on the other upon admiration and boundless love. When Sabella went to school, the Captain's business kept him within sight of the school-house; and when school was out, the little girl was nowhere happier than in his company. For her sake he was the friend of her friends, and among the children of Dubuque no one was so popular as Cap'n Cod. They did not live in the city, but on a small farm a few miles from it, and this Cap'n Cod was supposed to manage. Farming was, however, the one occupation for which he had no taste, and but for his capable niece the annual crops would not have paid the expense of raising them.
When Sabella was twelve years old and rapidly developing into beautiful girlhood, her mother died, leaving her and her little property to the unrestricted guardianship of Cap'n Cod. Now matters went from bad to worse so far as the farm was concerned, until, to save it from the hammer, it was deemed best to rent it to a more practical farmer than the child's devoted guardian.
This gave Cap'n Cod the opportunity and an excuse for carrying out a cherished scheme that, but for the opposition of his niece, he would have put into operation long before. It was the painting of a panorama, the building of a boat to hold it, and thus equipped, to float away down the great river in search of fame and fortune. Now Sabella must of course be included in the plan; for not only did she and Cap'n Cod consider it impossible to get along without each other, but the latter declared that such a bit of travel would be the very best kind of an education for his grand-niece.
This scheme had been in the old man's mind for so long that the panorama, worked on at odd moments for more than two years, was nearly finished at the time of his niece's death. With his own savings, and largely by his own labor, he now built his boat, the Whatnot. When she was completed, his money was gone. But what of that? Was he not prepared to realize a fortune? He knew that it would shortly be theirs, and Sabella's faith was strong as his. She never for a moment doubted that her dear guardian was the artist he claimed to be, or that the panorama he had painted was the most perfect thing of its kind ever seen. So she was as enthusiastic concerning the project as the old man himself, and eagerly aided in his preparations to the full extent of her ability. There was but one point on which they disagreed. When Cap'n Cod had exhausted his own resources, and the motive power of the Whatnot still remained unprovided, Sabella begged that he would draw some of her money from the bank and use it, but this the old man firmly declined to do.
"No, Sabella," he would say; "what is mine is yours; but what is yours is your own, and it would be as bad as stealing for me to touch it."
"But it is mine," the girl would argue; "and if I want to give it to you, more than I want to do anything else with it, I don't see why you shouldn't let me."
"No, dear," her guardian would reply. "It is not yours. It is only held in trust for you until you become of age, by which time you will have many other uses for money besides gratifying an old man's whim."
"But you will pay it back long before then."
"I might, and then again I might not. There is nothing more uncertain than the things we think we are sure of."