"And that's all the thanks I get," says her mistress.

"Least said the better, perhaps," says Barbro. "I wouldn't have got more than a month or two, anyway, and done with it."

Fru Heyerdahl is speechless for a moment; ay, for a little while she stands saying nothing, only opening and closing her mouth. The first thing she says is to tell the girl to go; she will have no more of her.

"Just as you please," says Barbro.

For some days after that Barbro had been at home with her parents. But she could not go on staying there. True, her mother sold coffee, and there came a deal of folk to the house, but Barbro could not live on that—and maybe she had other reasons of her own for wanting to get into a settled position again. And so today she had taken a sack of clothes on her back, and started up along the road over the moors. Question now, whether Axel Ström would take her? But she had had the banns put up, anyway, the Sunday before.

Raining, and dirty underfoot, but Barbro tramps on. Evening is drawing on, but not dark yet at that season of the year. Poor Barbro—she does not spare herself, but goes on her errand like another; she is bound for a place, to commence another struggle there. She has never spared herself, to tell the truth, never been of a lazy sort, and that is why she has her neat figure now and pretty shape. Barbro is quick to learn things, and often to her own undoing; what else could one expect? She had learned to save herself at a pinch, to slip from one scrape to another, but keeping all along some better qualities; a child's death is nothing to her, but she can still give sweets to a child alive. Then she has a fine musical ear, can strum softly and correctly on a guitar, singing hoarsely the while; pleasant and slightly mournful to hear. Spared herself? no; so little, indeed, that she has thrown herself away altogether, and felt no loss. Now and again she cries, and breaks her heart over this or that in her life—but that is only natural, it goes with the songs she sings, 'tis the poetry and friendly sweetness in her; she had fooled herself and many another with the same. Had she been able to bring the guitar with her this evening she could have strummed a little for Axel when she came.

She manages so as to arrive late in the, evening; all is quiet at Maaneland when she reaches there. See, Axel has already begun haymaking, the grass is cut near the house, and some of the hay already in. And then she reckons out that Oline, being old, will be sleeping in the little room, and Axel lying out in the hayshed, just as she herself had done. She goes to the door she knows so well, breathless as a thief, and calls softly: "Axel!"

"What's that?" asks Axel all at once.

"Nay, 'tis only me," says Barbro, and steps in. "You couldn't house me for the night?" she says.

Axel looks at her and is slow to think, and sits there in his underclothes, looking at her. "So 'tis you," says he. "And where'll you be going?"