But now Norem woke up. He understood that something was happening before his dull eyes, and he began to mix in, to declaim about business morals. It was the rottenest morality on earth, usury—a morality for Jews! Was it right to demand usurious interest? Don't argue with him. He knew what he was talking about. Ho! business morals! The rottenest morals on earth….
Meanwhile the Attorney was talking across the table to Irgens and Miss
Aagot. He told them how he had come across Coldevin.
"I ran across him a moment ago up your way, Irgens, in Thranes Road, right below your windows. I brought him along. I couldn't let the fellow stand there alone—"
Aagot asked quickly, with big, bewildered eyes:
"Thranes Road, did you say? Irgens, he was standing below your windows!"
Her heart was fluttering with fear. Coldevin observed her fixedly; he made sure that she should notice he was staring straight at her.
Meanwhile Norem continued his impossible tirade. So it was charged that the people as a whole was corrupt, that its men and women were debased because they honoured literature and art. "Ho! you leave art alone, my good man, and don't you bother about that! Men and women corrupt!—"
Coldevin seized this chance remark by the hair and replied. He did not address Norem; he looked away from him. He spoke about something that evidently was vitally important in his eyes. He addressed himself to nobody in particular, and yet his words were meant for some one. It was hardly correct to say that men and women were corrupt; they had simply reached a certain degree of hollowness; they had degenerated and grown small. Shallow soil, anaemic soil, without growth, without fertility! The women carried on their surface existence. They were not tired of life, but they did not venture much either. How could they put up any stakes? They had none to put up. They darted around like blue, heatless flames; they nibbled at everything, joys and sorrows, and they did not realise that they had grown insignificant. Their ambitions did not soar; their hearts did not suffer greatly; they beat quite regularly, but they did not swell more for one thing than for another, more for one person than for another. What had our young women done with their proud eyes? Nowadays they looked on mediocrity as willingly as on superiority. They lost themselves in admiration over rather every-day poetry, over common fiction. Some time ago greater and prouder things were needed to conquer them. There was a page here and there in Norway's history to prove that. Our young women had modified their demands considerably; they couldn't help it; their pride was gone, their strength sapped. The young woman had lost her power, her glorious and priceless simplicity, her unbridled passion, her brand of breed. She had lost her pride in the only man, her hero, her god. She had acquired a sweet tooth. She sniffed at everything and gave everybody the willing glance. Love to her was simply the name for an extinct feeling; she had read about it and at times she had been entertained by it, but it had never sweetly overpowered her and forced her to her knees; it had simply fluttered past her like an outworn sound. "But the young woman of our day does not pretend to all this; alas, no! She is honestly shorn. There is nothing to do about it; the only thing is to keep the loss within limits. In a few generations we shall probably experience a renaissance; everything comes in cycles. But for the present we are sadly denuded. Only our business life beats with a healthy, strong pulse. Only our commerce lives its deed-filled life. Let us place our faith in that! From it will the newer Norway spring!"
These last words seemed to irritate Milde; he took out of his pocketbook a ten-crown bill which he threw across the table to Coldevin. He said furiously:
"There—take your money! I had almost forgotten that I owed you this money, but I trust you understand that you can go now!"