Oceans are crossed, ages are brought forth from the past, and continents are joined in making the poet's spirit. Finally even Earth becomes too narrow and the greater universe opens its gates to the ultimate fatherland, the elements of the world which will at the end absorb the being of the poet:

Fatherlands! Air and earth and fire and water,
Elements indestructible, beginning
And end of life, first joy and last of mine,
You I shall find again when I pass on
To the grave's calm. The people of the dreams
Within me, airlike, unto air shall pass;
My reason, firelike, unto lasting fire;
My passions' craze unto the billows' madness.

Even my dust-worn body, unto dust;
And I shall be again air, earth, fire, water;
And from the air of dreams, and from the flame
Of thought, and from the flesh that shall be dust,

And from the passions' sea, ever shall rise
A breath of sound like a soft lyre's complaint.

[2. The Return]

The second collection of Life Immovable, entitled "The Return," is dedicated to the poet's country. It bears under its title the significant date of 1897, the year of the unfortunate Greco-Turkish war which ended disastrously for Greece and plunged the nation into despair. After the defeat, almost the whole world spoke of the Greeks as of a degenerate people beyond the hope of redemption. The sensitiveness of the race helped in rendering the gloom of disaster most depressing. For some time, even the Greeks began to resign themselves to their fate as a hopeless one. Palamas is one of the first to sound the reveille. He conceives of his collection of songs as an expression of faith in the country's future. With perfect love and assurance "he comes to place the crowns of Art" "dream-made and dream-engraved" upon her shattered throne....

Only with harmony sublime and pure,
Which, though it rises over time and space,
Turns the world's ears to his native land,
The poet is the greatest patriot.

Nevertheless even the poet's spirit cannot help reflecting the gloom through which it tries to rise. The general depression about him weighs upon him, too, in spite of his effort. This shadow haunts him constantly. Life becomes a Fairy, with a Fairy's dangerous charms and fearful mysteries. "Something like a madman pursues life." The poet hears this madman's falling steps and is horror-haunted:

And lo, blood of my blood the madman was!
A past, ancestral, long-forgotten sin,
That bursting forth upon me, vampire-like,
Snatched from my hand the dewy crown of joy!

This madman grows from within the individual's and the nation's life. The wings of joys and dreams are clipped. One feels like a night-owl upon glorious ruins, the beauty of which makes the night even darker. Tradition, like a majestic temple, seems to choke life by its solemnity. The present, which seems to be symbolized by the little hut, is in the relentless grip of "a monstrous vision, the Fairy Illness, stripped in the silver glimmer of the moon." There is always the mingling of gleaming beauty and of bitter sorrow. There is always before us a "cord-grass festival," the amber fragrant flowers budding upon the piercing spikes of the cord-grass and luring man to the deadly bog where there is no redemption. One might say that the poet verges on morbidity.

But such an assumption would be unjust. Palamas may have a clear vision of the tragedy of life. But in the light of this revelation, with his unfettered contemplation, he builds, like Bertram Russell, a "shining citadel in the very centre of the enemy's country, on the very summit of his highest mountain; from its impregnable watch-towers, his camps and arsenals, his columns and forts, are all revealed; within its walls, the free life continues while the legions of Death and Pain and Despair and all the servile captains of tyrant Fate afford the burghers of that dauntless city new spectacles of beauty." In like manner, the world of Greece, in which Palamas lives, "our home," as he calls it, may have its dreadful silences that are "full of moans," moans vague and muffled as if coming from a distant world

Of bygone ages and of times unborn.