Imagination flies to hells and stars,
A witch beguiling, an enchantress strange;
But ours the Heart remains and binds both life
And love with the native soil, nor seems to die.Peaks, depths, I sought Eurydice of old:
"What longing moans within me now, new-born?
Would that I were a fisherman at work,
Waking thy sleeping waters with my oar,
O Missolonghi!"
Humble but natural in feeling is the appeal to a friend of his childhood days:
The peasant's huts in Midfield
For us, old friend, are waiting:
Come as of old to eat
The fresh-made cheese, and taste
The hard-made loaf of cornbread.Come, and drink the milk drawn pure;
And filled with dew and gladness,
Stir up the hunger of the youth
Beside you, buxom lasses.
Here, too, he sings of the "crystal salt that is drawn snow-white from the lake"; of the rain "that always weeps" and of the conquering tides. Here he listens to the whispers of the waves while they murmur with each other with restrained pride; and here over Byron's grave he dreams of the great poet of Greece, who will come to ride on Byron's winged horse. The poems of this collection are short but exquisitely wrought in verse and language, full of life and of feeling. They are especially marked with Palamas' attachment to the little and humble, which he loves to raise into music and rhythm, and for which he always has sympathy and even admiration.
Athens, the Violet-Crowned
Missolonghi nurtured the poet in his youth and led him to the threshold of manhood. But when he had graduated from the provincial "gymnasion," he naturally came to Athens in order to complete his education in the University of that city, the only University in Greece. This brought him to the place which was destined to develop his greatness to its zenith. The quiet, retired, and humble life of the Lagoon with its air filled with legend was suddenly exchanged for the shining rocks of Attica and its great city, flooded with dazzling light and roofed with a sky that keeps its azure even in the midst of night. Life here is full, restless, and tumultuous as in the days of Athens of old. The violet shadows of the mountains enclosing the silver olive groves of the white plain are still the makers of the violet crown of Athens.
The poet in one of his "Hundred Voices" pictures a clear Attic afternoon in February:
Even in the winter's heart, the almonds are ablossom!
And lo, the angry month is gay with sunshine laughter,
While to this beauty round about a crown you weave,
O naked rocks and painted mountain slopes of Athens.Even the snow on Parnes seems like fields in bloom;
A timid greenish glow caresses like a dream
The Heights of Corydallus; white Pentele smiles upon
The Sacred Rock of Pallas; and old Hymettus stoops
To listen to the love-song of Phaleron's sea.
It is its scanty vegetation that makes the southwestern region of Attica look like a mountain lake of light. The nakedness of the mountain ranges and the whiteness of the plains are vaulted over by a brilliant sky and surrounded by a sea of a splendid sapphire glow. Even the olive trees, which still grace the fields about Athens are bunches of silver rather than of green. In "The Satyr, or the Naked Song," taken from the volume of Town and Wilderness we may detect the very spirit which, springing from the same soil thousands of years ago, created the song which gradually rose from primitive sensuousness to the heights of the Greek Tragedy:
All about us naked!
All is naked here!
Mountains, fields, and heavens wide!
The day reigns uncontrolled;
The world, transparent; and pellucid
The thrice-deep palaces.
Eyes, fill yourselves with light
And ye, O Lyres, with rhythm!Here, the trees are stains
Out of tune and rare;
The world is wine unmixed;
And nakedness, a mistress.
Here, the shade is but a dream;
And even on the night's dim lips
A golden laughter dawns!Here all are stripped of cover
And revel lustfully;
The barren rock, a star!
The body is a flame!
Rubies here and things of gold,
Priceless pearls and things of silver,
Scatter, O divinely naked Land,
Scatter, O thrice-noble Attica!Here manhood is enchanting,
And flesh is deified;
Artemis is virginity,
And Longing is a Hermes;
And here, and every hour,
Aphrodite rises bare,
A marvel to the Sea-Things,
And to the world, a wonder!Come, lay aside thy mantle!
Clothe thee with nakedness,
O Soul, that art its priestess!
For lo, thy body is thy temple.
Pass unto me a magnet's stream,
O amber of the flesh,
And let me drink of nectar drawn
From Nakedness Olympian!Tear thy veil, and throw away
Thy robe that flows discordantly!
With nature only match thy form,
With nature match thy plastic image.
Loosen thy girdle! Cross
Thy hands upon thy heart!
Thy hair is purple royal,
A mantle fairly flowing.And be a tranquil statue;
And let thy body take
Of Art's perfection chiseled
Upon the shining stone;
And play, and sing, and mimic
With thoughtful nakedness
Lithe beasts and snakes and birds
That dwell in wilderness.And play, and sing, and mimic
All things of joy, all things of beauty;
And let thy nakedness
Pale into light of living thought.
Forms rounded and forms flat,
Soft down, lines curved and straight,
O shiverings divine,
Dance on your dance of gladness!Forehead, and eyes, and waves
Of hair, and loins, ...
And secret dales and places!
Roses of love and myrtles!
Ye feet that bind with chains!
Hands, Fountains of caress,
And Doves of longing sweet,
And falcons of destruction!Whole hearted are thy words,
And bold, O mouth, O mouth,
Like wax of honey bees,
Like pomegranates in bloom.
The alabaster lilies,
April's own fragrant censers,
Envy thy breast's full cups!
Oh, let me drink from them!Drink from the rosy tinged,
Erect, enameled, fresh,
The milk I dreamed and dreamed
Of happiness. Thee!
I am thy mystic priest,
And altars are thy knees;
And in thy warm embrace
Gods work their miracles!Away, all tuneless things!
Hidden and covered things, away!
Away, all crippled, shapeless things,
And things profane and strange!
Erect and naked all, and guileless,
Bodies and breasts and earth and skies!
Nakedness, too, is truth,
And nakedness is beauty!* * * * *
In nakedness, with sunshine graced,
That fills the Attic day,
If thou beholdest stand before thee
Something like a monster bare,
Something that like a leafless tree
Stands stripped of shadow's grace,
And like a stone unwrought,
His body is rough and gaunt,Something that naked, bare, and nude
Roams in the thrice-wide spaces,
Something whose life is told in flames
That light beneath his eyelids,
Akin to the old Satyrs' breed
And tameless like a beast,
A singer silver-voiced,
Flee not in fear! 'Tis I!The Satyr! I have taken here
Roots like an olive tree,
And with my flute deep-sounding,
I make the breezes languish.
I play and lo, all things are mated,
Love giving, love receiving.
I play and lo, all things are dancing,
All: Men and beasts and spirits!