"I hope I know my place better, sir!" Mrs. Dew remarked primly.
That afternoon he gave it up as a bad job.
Edmund did not forget his grudge against Miss Selina Brooks. By some curious mental process of unreasoning he traced Mr. Wycherly's sudden faintness, that had frightened them so much, to that good lady's letter about the curtainless windows. She had worried his Guardie, and therefore she was his enemy.
It did not in the least affect Edmund's opinion of her that Mr. Wycherly wrote a most courteous note thanking her for hers.
Edmund intended to be even with Miss Selina Brooks, but he bided his time.
The attics in Holywell were particularly large and splendid. There were only two, and they occupied the whole of the top floor, while each was reached by a separate staircase, and had no communication with the other. In all, there were five different sets of stairs in that old house. One attic was dedicated to the reception of empty boxes; but the other—which possessed a heavenly little crooked room opening out of it, in that third gable which boasted the small square window looking sideways down the street—Mr. Wycherly had given to the boys for their very own play-room.
At present there was nothing in it save two or three derelict chairs and a four-post bed with canopy and voluminous white dimity curtains. For some reason best known to herself, Mrs. Griffin had put up the curtains belonging to this bed which nobody wanted.
Just outside one of the doors on that landing was a curious little cupboard with strong oak doors, not more than three feet high. This cupboard was very dark, apparently very deep, and quite devoid of shelves or pegs.
During their first uncomfortable days the boys had not felt particularly interested in cupboards; but as things grew more peaceful and accustomed Edmund of the inquiring mind discovered this particular cubby-house. Montagu was not with him at the time, as now that they were settled, he did Greek for an hour every morning with Mr. Wycherly just before luncheon.
Edmund thrust his arm in as far as it would go, but couldn't reach the back, though the floor seemed to slope upwards. Carefully propping the door open with a chair, he crawled in on hands and knees. Once in, he found that floor and roof sloped steeply upwards and the roof was just over his head, he couldn't even kneel. He crawled further in, quite a long way, and the tunnel turned sharply to the right. He could no longer see the glimmer of light from the landing, but he had reached the end of the tunnel. At the same moment his head struck something that stuck out, and when he put up his hand he felt that it was a key by its shape. This was most exciting and must be investigated at once. There was no room to turn, so Edmund half crawled, half slid backwards out of the sloping tunnel, and flew downstairs to get some matches. To his joy he met nobody, which was as well, for he was covered with dust and cobwebs from head to foot. He rushed upstairs again feeling very adventurous and important, and once more crawled into the cupboard to the very end of the tunnel. He struck a match and found that he was up against another door, in the roof this time and precisely like the first one in every respect except that it had a large, heavy lock at one side, and in the lock was the rusty key that had hit him on the head. By no endeavour could Edmund get that key to turn. He lit match after match, throwing them carelessly on the old oak floor in a fashion that would have made Mr. Wycherly's hair stand on end had he seen it, and finally decided that alone he could not manage that door, and that Montagu must be taken into the secret.