I told him it would not be easy to sing tenor; but I would see at the rehearsal what I could do. He was in despair. I tried to tranquilize him, my compassion triumphing over my forebodings, and assured him that all would go well. I did not tell him that I had had a succession of nightmares last night, where I saw myself stranded on the stage, having forgotten both words and music.
He said that he had been on the stage at work with the carpenters since I don't know when this morning. They had first put up the scenery as he had ordered; but he saw that there would not be space for the eight performers (there are two scenes where we are all on the stage at once). Accordingly, he had ordered the carpenters to change it.
I ate my déjeuner sandwiched between the tenor and the basso. We rehearsed our dialogues, although we pretended to discuss other matters.
The Empress went directly to the Marquis after déjeuner and said, "We are looking forward to your operetta to-night with real pleasure, and we are sure that it will be a great success." The Marquis was radiant.
When we met later in the theater for our first and only rehearsal we were delighted to find there the grand piano from the salle de musique. The curtain rose on a very pretty garden scene, with trees on either side, green linen on the floor representing grass, a village with a church- steeple in the background, and for stage properties a garden bench and a vase placed just before the footlights, so that it would not interfere with our movements, but would show us where not to fall off.
The Marquis was, of course, at the piano, and Prince Metternich, as prompter, squeezed into a prompter's box, looking wretchedly uncomfortable. We commenced the rehearsal, which, on the whole, went off better than we expected.
The basso is the first to appear. He sings a melancholy song, in which he makes known his love for the humble village maiden. His voice gets more dismal and lower as he becomes despondent, and higher and more buoyant as his hopes rise. At the end, when he sings "Elle sera à moi," his voice, though very husky, was almost musical. Then I, as the village maiden, enter with a basket, suggestive of butter and eggs, and sing a sentimental ditty telling of my love for the friend of the lord. The music of this is mediocre beyond words. The Marquis tries to show, by a few high soprano notes, how high my wildest flights of aspirations fly before I could ever reach the subject of my love. "Mes tourments" and "le doux plaisir d'aimer" get so mixed that I don't know myself what I am singing about.
The lady of the manor hears my lament, and, believing me to be in love with her husband, berates me in a dramatic duet. The friend and adviser now appears, and we get through an incomprehensible trio. He cannot convince her (the lady) of the innocence of her husband. She insists upon thinking him a traitor, leaves us in a fury, and we have the floor to ourselves when we sing the famous duet on account of which the Marquis had qualms this morning. In it there is a minor phrase which is quite intricate, and I saw that unless I came to d'E——'s rescue he could never manage it.
The lord and the lady reappear, while the friend and I retire in the background and lean up against the village steeple and whisper. The lady is violent and the lord is indifferent. The music sounds like an everlasting grumble, because her voice is contralto and his is bass. The village maiden is called to the front, and denies everything she has been accused of. The husband makes amends in a phrase miles too high for his voice. The friend takes all the blame on his black-velvet shoulders, and says he has loved the maiden all along. The maiden is overcome with emotion and faints for joy.
The final quartette is a sad affair, musically speaking, constructed on the Marquis's own ideas of thoroughbass. All the singers start on the same plane, the soprano soars heavenward, the contralto and the bass grovel in their deepest notes, while the tenor, who ought to fill up the gap, stands counting the measures on his fingers, his eyes glued to the prompter, until he joins me and we soar together.