I thought, when I came in, the public was chilly, and I felt cold shivers running down my back. My courage was oozing out of me, and when the lord of the manor said to me, "Rosette, que fais-tu ici?" and I had to answer, "Ce que je fais, Monsieur; mais vous voyez bien, je ne fais rien," I thought I should die of fright and collapse on the spot. However, I pulled myself together and began my silly little song.
The moment I began to sing I felt at ease, and I flatter myself I gave a certain glaze to the emptiness of the music. Madame Conneau sang her dramatic aria beautifully, and created quite a furore. I only wish the music had been more worthy of her. The love duet between the friend and myself was, much to my surprise, a great success. It was encored, and we sang it again.
When we came to the minor passage (the stumbling-block) the Marquis, who was perspiring at every pore in his dread that I should not hit the right note, pounded it on the piano loud enough to be heard all over the theater. I gave him a withering look, which he pretended not to see. Perhaps he did not, for his attention, like mine, was startled by seeing the false mustache of Monsieur d'Espeuilles ungluing and threatening to drop into his mouth. The Marquis began wagging his head and making frantic signs. Monsieur d'Espeuilles was horribly confused, and I feared for the success of our da capo; but he patted the now limp offender back on his lip, and we continued the duet. During the applause the Marquis took the occasion to wipe the perspiration from his bald head.
In spite of our qualms the final quartette was not so bad after all. When it was time for me to come down from my upward flight in order to help the tenor, the Marquis again waved his right hand in the air to attract my attention, while he thundered a tremolo with his left, to keep the accompaniment going until he was sure that everything was right. The chorus came on in due order, and flourished their rakes and spades as though they were waving flags, in participation of the joy and gladness of the reconciliation. There was one moment of genuine hilarity, when the little fox-terrier belonging to the Empress's niece rushed on to the stage to join his mistress, who, with great sang-froid, picked him up and went on singing, to the immense amusement of the audience.
It was suffocatingly hot in the little theater, and we were glad to think that we had arrived at the end of our perilous journey. The red on our cheeks was getting paler; the powder was becoming paste; the black on the eyebrowless actors began to run down their cheeks; Monsieur d'Espeuilles's wig and mustache were all on one side.
All these details mattered little, now that the end had come, and the performance had concluded with great éclat.
The happy Marquis (though I think he aged ten years that hour at the piano) was radiant with his success. Every emotion had swept over him: ambition, vanity, hope, pride, forbearance, patience, long-suffering.
The curtain fell amid great applause, as spontaneous as it was persistent and, I hope, genuine.
We stayed in our costumes for the tea in the Emperor's salon.
Both their Majesties complimented the Marquis, and thanked us all separately for the pleasure they had had and the trouble we had given ourselves. The Emperor said to me, "Vous vous êtes surpassée ce soir." I courtesied and asked him what he thought of the music.