The feeling of amusement found vent in his absence in laughter and mimicry. Zilda joined in this mimicry; she watched the Frenchmen strut along the platform in imitation of Gilby, and smiled when their imitation was good. When it was poor she cried, 'Non, ce n'est pas comme ça,' and she came out from the doorway and showed them how to do it. Her imitation was very good indeed, and excited much laughter. This showed that Zilda had been waked into greater vivacity. Six months before she could not have done so good a piece of acting.

Zilda's exhibition would go further than this. Excited by success, she would climb the wood pile, large and heavy as she was, and, standing upon its edge, would flap her arms and flutter back in a frightened manner and brace herself to the leap, as Gilby had done. She was aided in this representation by her familiarity with the habits of chickens when they try to get down from a high roost. The resemblance struck her; she would cry aloud to the men—

'Voici Monsieur Geelby, le poulet qui a peur de descendre!'

The fact that at the thought of mimicking Gilby Zilda was roused to an unwarranted glow of excitement showed, had any one been wise enough to see it, that she felt some inward cause of pleasurable excitement at the mention of his name. A narrow nature cannot see absurdity in what it loves, but Zilda's nature was not narrow. She had learnt to love little Gilby in a fond, deep, silent way that was her fashion of loving.

He had explained to her the principles of ventilation and why he disliked close waiting-rooms. Zilda could not make her father learn the lesson, but it bore fruit afterwards when she came into power. Gilby had explained other things to her, small practical things, such as some points in English grammar, some principles of taste in woman's dress, how to choose the wools for her knitting, how to make muffins for his tea. It was his kindly, conceited, didactic nature that made him instruct whenever he talked to her. Zilda learned it all, and learned also to admire and love the author of such wisdom.

It was not his fault; it was not hers. It was the result of his gorgeous watch-chain and his fine clothes and his worldly knowledge, and also of the fact that because of his strict notions and conceited pride it never occurred to him to be gallant or to make love to her. Zilda, the hotel-keeper's daughter, was accustomed to men who offered her light gallantry. It was because she did not like such men that she learned to love—rather the better word might be, to adore—little John Gilby. From higher levels of taste he would have been seen to be, in external notions, a common little man, but from Zilda's standpoint, even in matters of outward taste he was an ideal; and Zilda, placed as she was, quickly perceived, what those who looked down upon him might not have discovered, that the heart of him was very good. 'Mon Dieu, but he is good!' she would say to herself, which was simply the fact.

All winter long Gilby came regularly. Zilda was happy in thinking of him when he was gone, happy in expecting him when he was coming, happy in making fun of him so that no one ever suspected her affection. All that long winter, when the snow was deep in the fields, and the engines carried snow-ploughs, and the loungers about the station wore buffalo coats, Zilda was very happy. Gilby wore a dogskin cap and collar and cuffs; Zilda thought them very becoming. Then spring came, and Gilby wore an Inverness cape, which was the fashion in those days. Zilda thought that little Gilby looked very fascinating therein, although she remarked to her father that one could only know he was there because the cape strutted. Then summer came and Gilby wore light tweed clothes. The Frenchmen always wore their best black suits when they travelled. Zilda liked the light clothes best.

Then there came a time when Gilby did not come. No one noticed his absence at first but Zilda. Two weeks passed and then they all spoke of it. Then some one in St. Armand ascertained that Gilby had had a rise in the firm in which he was employed, that he sat in an office all day and did not travel any more. Zilda heard the story told, and commented upon, and again talked over, in the way in which such matters of interest are slowly digested by the country intellect.

Alas! then Zilda knew how far she had travelled along a flowery path which, as it now seemed to her, led to nowhere. It was not that she had wanted to marry Gilby; she had not thought of that as possible; it was only that her whole nature summed itself up in an ardent desire that things should be as they had been, that he should come there once a week, and talk politics with her father and other men, and set the boys jumping, and eat the muffins he had taught her to make for his tea. And if this might not be, she desired above all else to see him again, to have one more look at him, one more smile from him of which she could take in the whole value, knowing it to be the last. How carelessly she had allowed him to go, supposing that he would return! It was not her wish to express her affection or sorrow in any way; it was not her nature to put her emotions into words; but ah, holy saints! just to see him again, and at least take leave of him with her eyes!

It was very sad that he should simply cease to come, yet that she knew was just what was natural; a man does not bid adieux to a railway station, and Zilda knew that she was, as it were, only part of the station furniture. She resented nothing; she had nothing to resent.