Some of the jockeys were flung over this last barrier, head forwards! Their riderless horses, taking the leap by themselves, quietly turned aside and began to regale themselves on the fresh grass, while the soldiers on guard picked up what was left of the unconscious sportsmen!
There were no seats of any kind provided for the public. The fashionable onlookers stood about on the grass, or sat on folding stools they had brought with them; others even, when overtired, seated themselves on the damp ground. Sometimes, the public pressed so close to the barriers that they were actually in the way, and one of the judges on horseback approached, courteously requesting the crowd to stand back. Children, brought there for some unknown reason, arranged little races and competitions of their own, and skipped merrily up and down the hills, to the delight of their parents. The Roman is a tender father, and is not ashamed of his tenderness. For that matter, the Romans present were probably in the minority, every possible nationality being represented in the assemblage. The manner, attire, and general appearance of all cosmopolitan aristocrats being similar, one could only distinguish the various nationalities of those present by the accent with which they spoke French, the language almost universally adopted in Roman society. Irene studied the animated picture before her with great interest. The weather was lovely. The recent rains had covered the whole valley with a carpet of new, green grass, from which peeped, here and there, a shy, little early field-flower. The air was fragrant with the scent of spring, and the pink and white bloom of the cherry-trees contrasted strangely with the solemn darkness of the Roman pines. The gay, elegant crowd laughed and chatted around Irene, and her glance wandered, with a curious sense of strangeness, from one face to another. These handsome, well dressed men, these dainty, fashionable ladies, probably making the Horse Show an excuse for some rendezvous, seemed to her to belong to some other world, and to have indeed nothing whatever in common with the ex-nun, as she, with some bitterness, called herself.
XIII
Little by little, however, Irene let herself be drawn into the whirl of Italian social life. Italian society is one of the most interesting and delightful societies in the world. It is indeed impossible not to love these charming, sympathetic, gay, splendidly accomplished and witty Southerners. What a difference between their sparkling and brilliant receptions, and the dull, heavy entertainments of Petrograd! Nowhere in Rome did Irene meet those gloomy, silent figures that wander forlornly about Petrograd drawing-rooms, only waiting for supper. They do not exist in Italy, neither does the supper. At the most brilliant receptions, there is never more than one table for light refreshments, tea, ices, wines, lemonade. Most of the guests, however, never even approach this table, but prefer, on returning home, to drink a glass of cold water, of the purity of which Romans are prouder than of the Colosseum or the Forum. They go to receptions, not for the sake of eating and drinking, but rather for laughter and flirtation and brilliant conversation. At almost every social gathering there is music and recitation. Everybody recites: poets, poetesses, and ordinary mortals. The Italian language, especially as spoken in Rome, is so musical that the recitations give pleasure even to foreigners who do not understand their meaning. There is great variety in this fashionable art. An old poet rises, requests that most of the lights may be extinguished, takes an effective attitude, and begins, with theatrical intensity, to raise and to lower his voice, rather, indeed, to sing than to speak. He is listened to with attention, but the younger generation smiles: “The old school,” it whispers disdainfully.
He is followed by a young representative of modern ideas, a North Italian poetess, on a visit to Rome. She is dressed in decadent green draperies (that suit her perfectly, by the way!), and to the accompaniment of angular, decadent gestures, she begins to recite her lines, simply, and in a natural voice. The simplicity is studied, to the point of becoming almost a mannerism. The young people, however, are delighted, especially the men, who gaze with undisguised pleasure at the beautiful poetess.
But suddenly there steps into the centre of the room a young girl amateur, the daughter of a Roman prefect. She recites some verses by d’Annunzio. This is neither the old nor the new school, but simply a burning young Italian soul, and the charming, unaffected sincerity of her art is rewarded by storms of applause.
To singing or piano-playing Italians listen with even still greater attention. No one talks, but each listener seems lost in rapture. No one who can perform hesitates or affectedly waits to be asked half a dozen times; on the contrary, everyone is burning to show off his talent. They enjoy their own performances, and, inspired by the almost religious attention of their hearers, sing more gloriously than would ever be possible in the chilly North.
Art, indeed, and the worship of beauty, is the only religion of the Romans. “Art for art’s sake,” they declare, as they laugh at modern realistic literature.